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VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
festivals
returned
student
number
creation
technologies
combination
musician
reproduction
modest
technique
phenomenon
finally
sepia
documentary
institution
development
school
again left
professional
until
unshakable
artists
movements
landscapes
distinguished
landscape
period
soldiers
contact
milestone
traditions
workshop
photography
different
manufacture
sixties
members
enthusiasm
educational
background
communal
density
ideological
Museum
snowflakes
decorative
characteristic
selection
composition
performance
available
troubles
minerals
absolutely
emergence
canvas
transmitted
province
watercolors
subsequent
resistant
arrogance
harmony
community
various




