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VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
snowflakes
selection
student
landscapes
institution
contact
workshop
troubles
technologies
community
canvas
emergence
characteristic
absolutely
subsequent
transmitted
photography
festivals
various
watercolors
phenomenon
distinguished
until
enthusiasm
musician
educational
performance
landscape
combination
technique
province
arrogance
Museum
composition
background
number
members
unshakable
documentary
milestone
movements
returned
creation
ideological
communal
sepia
development
again left
different
harmony
period
reproduction
minerals
density
available
traditions
professional
decorative
school
modest
finally
sixties
manufacture
soldiers
resistant
artists