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VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
absolutely
communal
development
troubles
technologies
artists
institution
festivals
characteristic
watercolors
modest
milestone
soldiers
subsequent
Museum
combination
student
documentary
sixties
arrogance
reproduction
emergence
available
resistant
again left
composition
ideological
phenomenon
traditions
canvas
returned
landscapes
movements
province
snowflakes
musician
period
professional
unshakable
photography
creation
decorative
educational
different
until
sepia
technique
workshop
density
number
community
school
enthusiasm
minerals
performance
contact
manufacture
finally
transmitted
harmony
distinguished
background
members
selection
various
landscape