until
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
transmitted
soldiers
absolutely
manufacture
selection
professional
members
landscape
traditions
troubles
canvas
watercolors
landscapes
density
musician
phenomenon
artists
available
educational
various
milestone
number
harmony
modest
documentary
different
characteristic
technique
enthusiasm
school
workshop
technologies
unshakable
resistant
contact
communal
student
performance
institution
returned
community
sixties
distinguished
ideological
Museum
reproduction
finally
period
festivals
photography
again left
background
composition
minerals
combination
emergence
subsequent
province
movements
development
snowflakes
until
creation
decorative
sepia
arrogance



