VITEBSK ART SCHOOL (part 1)
Nikolay Gugnin. From the history of the Vitebsk art school. In the late 1910s, the paths of many famous artists of the 20th century converged in the provincial city of…

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MASTERPIECES OF PASTEL FROM FUNDS OF THE TREYAKOV GALLERY (part 2)
In Russia, pastel technique appeared in the second half of the XVIII century, but never reached such popularity as in Europe. The first pastors known to us were invited foreign…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 1)
The element of water and paint Despite the availability and prevalence, the watercolor technique remains mysterious and incomprehensible to many, both amateurs and professional artists. Despite the apparent lightness, this…

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harmony

MASTERPIECES OF PASTEL FROM FUNDS OF THE TREYAKOV GALLERY (part 2)

In Russia, pastel technique appeared in the second half of the XVIII century, but never reached such popularity as in Europe. The first pastors known to us were invited foreign masters – G.-F. Schmidt, V. Eriksen, Gagelgans, I.-G. Schmidt, I. Bardou and their younger contemporary K. Bardou. Many of them were portrait painters. Their works are executed at a good professional level, in the tradition of cabinet portraiture. They are characterized by a picturesque solution, they carefully wrote out individual features, finely modeled faces, powdered wigs, carefully detailed clothing, thin foam of lace, the mysterious sparkle of orders, the gentle shimmer of tones typical of pastels. In these small, often paired, family portraits that once adorned the walls of Russian noble nests, live human faces, famous and unknown, appear in front of the viewer – people who have gone down in history but have not sunk into oblivion, thanks to artists who have preserved their appearance for posterity. Continue reading

RUSSIAN Vanguard. MAIN DIRECTIONS (part 3)

Abstractionism (abstract art).

The main theorists and practitioners were V. Kandinsky, P. Mondrian. Abstractionism rejected the image of forms of visually perceived reality, from isomorphism and focused solely on the expressive, associative, synesthetic properties of color, non-isomorphic abstract color forms and their innumerable combinations. The first abstract works were created in 1910 by Kandinsky. He set forth the aesthetic creed of abstract art in his book On the Spiritual in Art (1910) and in a number of other books and articles. Its essence boils down to the fact that the rejection of the image of external, visible forms of objects allows the artist to focus on solving exclusively pictorial problems of harmonizing color and form, through which the spiritual cosmos comes into contact with the recipient. Continue reading

RUSSIAN ACADEMY OF ART OF ST. PETERSBURG (part 1)
In 2007, the Russian Academy of Arts celebrates its 250th anniversary. November 17, 1757 (old style - November 6) - The governing Senate of the Russian Empire adopted a decree…

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EXCURSION TO THE WORLD OF PAINTING (part 1)
Painting, according to the apt remark of the artist K. Yuon, is “a living letter or a letter about the living”. At first glance, this may seem paradoxical: after all,…

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MASTERPIECES OF PASTEL FROM FUNDS OF THE TREYAKOV GALLERY (part 2)
In Russia, pastel technique appeared in the second half of the XVIII century, but never reached such popularity as in Europe. The first pastors known to us were invited foreign…

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