LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to "left" art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge…

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HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 1)
When sunlight penetrates through the high openings of windows, stained glass paintings, stained glass patterns seem to flash, light up in bright color, begin to glow, transforming the interior, filling…

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HISTORY OF THE ORIGIN AND DEVELOPMENT OF THE WHITE ART
Thread painting "A tapestry is a beauty, slowly created by warm, skillful hands, a calm mind and a sensitive soul." I. Dvorkina Today, a variety of decorative and applied art,…

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very pragmatic and sins

STYLES AND DIRECTIONS IN THE FINE ART (part 1)

The number of styles and directions is huge, if not endless. The key feature by which works can be grouped by style is the unified principles of artistic thinking. The change of some methods of artistic thinking by others (alternation of types of compositions, methods of spatial constructions, peculiarities of color) is not accidental. Historically changeable is our perception of art.
Building a system of styles in a hierarchical order, we will adhere to the Eurocentric tradition. The largest in the history of art is the concept of the era. Each era is characterized by a certain “picture of the world”, which consists of philosophical, religious, political ideas, scientific ideas, psychological characteristics of worldview, ethical and moral norms, aesthetic criteria of life, which distinguish one era from another. Continue reading

RUSSIAN Vanguard. MAIN DIRECTIONS (part 3)

Abstractionism (abstract art).

The main theorists and practitioners were V. Kandinsky, P. Mondrian. Abstractionism rejected the image of forms of visually perceived reality, from isomorphism and focused solely on the expressive, associative, synesthetic properties of color, non-isomorphic abstract color forms and their innumerable combinations. The first abstract works were created in 1910 by Kandinsky. He set forth the aesthetic creed of abstract art in his book On the Spiritual in Art (1910) and in a number of other books and articles. Its essence boils down to the fact that the rejection of the image of external, visible forms of objects allows the artist to focus on solving exclusively pictorial problems of harmonizing color and form, through which the spiritual cosmos comes into contact with the recipient. Continue reading

ABOUT AQUARIAN PAINTING TECHNIQUE (part 5)

This is confirmed by laboratory tests. Today, there are world-famous manufacturers who honor the traditions of the best manufactories, they have earned the high trust and respect of professionals. Information on the quality of the paint used can always be found by marking on its packaging. Knowing some of the laws of mixing, studying the behavior of paints of different companies and work experience will suggest the preferred choice of paints.

Another stereotype is related to paper quality. You can read a lot of interesting things from the history of paper production and its application. Without delving into history and moving on to practical recommendations, let’s say that a modern watercolorist has a wide selection of professional paper. Continue reading

HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material.…

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EXCURSION TO THE WORLD OF PAINTING (part 1)
Painting, according to the apt remark of the artist K. Yuon, is “a living letter or a letter about the living”. At first glance, this may seem paradoxical: after all,…

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VITEBSK ART SCHOOL (part 3)
The circle of sources covering this time in the biography of the master is mainly identified and studied, therefore all sorts of new information and facts are so rare and…

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