photography
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
musician
transmitted
phenomenon
absolutely
movements
characteristic
milestone
institution
decorative
harmony
reproduction
performance
technologies
enthusiasm
communal
landscape
unshakable
minerals
educational
ideological
traditions
technique
period
Museum
school
members
background
composition
landscapes
manufacture
combination
number
workshop
sixties
creation
until
student
artists
modest
community
professional
returned
festivals
finally
soldiers
various
canvas
available
sepia
distinguished
arrogance
documentary
troubles
watercolors
density
resistant
contact
photography
development
subsequent
different
snowflakes
again left
province
selection
emergence