photography
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
institution
creation
soldiers
landscape
period
available
school
combination
members
development
ideological
photography
decorative
professional
transmitted
performance
movements
watercolors
background
contact
sepia
phenomenon
subsequent
minerals
harmony
workshop
technologies
sixties
artists
traditions
returned
documentary
modest
again left
unshakable
educational
reproduction
until
various
canvas
community
musician
composition
resistant
different
enthusiasm
arrogance
density
communal
emergence
number
landscapes
festivals
characteristic
troubles
Museum
selection
milestone
student
absolutely
province
technique
manufacture
finally
snowflakes
distinguished