photography
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
festivals
institution
contact
sepia
technique
sixties
returned
performance
density
development
transmitted
combination
period
arrogance
again left
community
distinguished
composition
minerals
school
enthusiasm
soldiers
unshakable
selection
Museum
reproduction
decorative
creation
harmony
workshop
student
available
artists
number
finally
subsequent
photography
professional
various
musician
members
movements
canvas
different
watercolors
traditions
background
communal
milestone
ideological
characteristic
until
province
resistant
absolutely
technologies
documentary
modest
troubles
emergence
landscapes
phenomenon
landscape
educational
snowflakes
manufacture