photography
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
period
performance
members
transmitted
community
landscape
landscapes
creation
festivals
soldiers
contact
minerals
institution
movements
different
photography
combination
ideological
distinguished
technologies
traditions
snowflakes
modest
development
artists
manufacture
sepia
milestone
workshop
various
unshakable
subsequent
background
again left
province
communal
harmony
enthusiasm
number
available
student
technique
school
density
educational
Museum
canvas
reproduction
returned
sixties
documentary
resistant
characteristic
absolutely
composition
finally
decorative
until
troubles
professional
arrogance
emergence
watercolors
musician
phenomenon
selection