photography
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
number
enthusiasm
communal
various
composition
creation
photography
selection
educational
troubles
canvas
returned
minerals
resistant
movements
distinguished
musician
finally
manufacture
unshakable
contact
subsequent
transmitted
technologies
watercolors
ideological
sixties
professional
student
background
absolutely
members
available
period
arrogance
density
until
province
traditions
community
milestone
again left
workshop
documentary
snowflakes
characteristic
Museum
emergence
combination
sepia
landscape
performance
soldiers
reproduction
decorative
institution
landscapes
development
festivals
school
harmony
different
artists
modest
phenomenon
technique