photography
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
sepia
returned
again left
festivals
harmony
technique
landscape
phenomenon
technologies
reproduction
until
province
number
ideological
subsequent
different
canvas
workshop
available
soldiers
development
snowflakes
artists
community
creation
musician
unshakable
various
Museum
decorative
modest
members
movements
composition
background
student
distinguished
absolutely
landscapes
communal
density
characteristic
traditions
watercolors
contact
transmitted
manufacture
photography
school
enthusiasm
educational
documentary
resistant
troubles
institution
performance
milestone
sixties
emergence
professional
period
combination
arrogance
minerals
selection
finally