returned
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
manufacture
again left
modest
professional
watercolors
snowflakes
performance
troubles
harmony
finally
unshakable
student
transmitted
landscape
subsequent
until
minerals
Museum
sixties
enthusiasm
musician
different
number
reproduction
decorative
resistant
phenomenon
distinguished
institution
school
ideological
workshop
soldiers
arrogance
photography
density
artists
landscapes
traditions
combination
sepia
period
creation
canvas
movements
community
province
development
communal
documentary
composition
background
educational
various
returned
festivals
technologies
selection
milestone
technique
characteristic
contact
emergence
available
absolutely
members