returned
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
musician
photography
characteristic
phenomenon
technologies
manufacture
landscapes
returned
technique
snowflakes
documentary
educational
Museum
available
sepia
institution
background
workshop
arrogance
sixties
various
density
number
soldiers
subsequent
professional
distinguished
combination
artists
performance
festivals
absolutely
communal
enthusiasm
school
finally
student
troubles
again left
minerals
traditions
creation
members
watercolors
milestone
community
landscape
period
until
selection
different
ideological
emergence
movements
development
harmony
decorative
province
transmitted
reproduction
contact
unshakable
composition
canvas
resistant
modest