returned
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
number
snowflakes
available
development
modest
resistant
reproduction
movements
returned
creation
density
characteristic
finally
decorative
school
harmony
workshop
transmitted
sixties
selection
absolutely
communal
arrogance
traditions
musician
emergence
until
composition
troubles
combination
contact
period
phenomenon
student
distinguished
sepia
artists
photography
minerals
community
landscape
institution
canvas
again left
enthusiasm
background
professional
educational
landscapes
soldiers
watercolors
various
technique
different
ideological
members
festivals
documentary
milestone
performance
subsequent
technologies
Museum
province
unshakable
manufacture