returned
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
festivals
milestone
troubles
decorative
artists
distinguished
available
professional
Museum
sepia
technologies
unshakable
communal
various
photography
again left
ideological
school
community
phenomenon
sixties
canvas
student
educational
contact
snowflakes
movements
landscapes
landscape
period
characteristic
technique
traditions
musician
composition
members
background
until
performance
reproduction
workshop
institution
enthusiasm
soldiers
number
combination
minerals
selection
returned
harmony
subsequent
resistant
emergence
arrogance
documentary
transmitted
absolutely
watercolors
development
province
manufacture
density
modest
different
finally
creation