returned
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
phenomenon
communal
soldiers
different
background
members
harmony
musician
arrogance
landscape
province
manufacture
modest
festivals
milestone
artists
technique
combination
documentary
canvas
again left
enthusiasm
technologies
workshop
subsequent
characteristic
available
resistant
institution
troubles
photography
snowflakes
ideological
sixties
watercolors
sepia
landscapes
various
creation
development
decorative
school
minerals
density
performance
composition
distinguished
selection
contact
emergence
number
returned
Museum
student
professional
period
community
unshakable
educational
until
absolutely
finally
traditions
transmitted
movements
reproduction