returned
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
absolutely
milestone
combination
until
manufacture
various
selection
density
festivals
composition
ideological
student
troubles
background
sixties
reproduction
landscapes
artists
distinguished
phenomenon
documentary
Museum
watercolors
emergence
modest
unshakable
landscape
performance
members
transmitted
professional
school
technique
again left
period
workshop
photography
canvas
arrogance
minerals
traditions
technologies
returned
available
musician
subsequent
communal
sepia
snowflakes
finally
institution
development
characteristic
enthusiasm
community
resistant
harmony
movements
province
creation
decorative
different
number
educational
soldiers
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