again left
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
subsequent
photography
minerals
selection
artists
decorative
festivals
harmony
landscapes
soldiers
community
performance
finally
transmitted
documentary
milestone
technologies
student
different
musician
snowflakes
absolutely
emergence
contact
various
educational
resistant
modest
unshakable
watercolors
creation
sixties
sepia
institution
communal
again left
period
landscape
workshop
until
manufacture
available
members
technique
Museum
returned
enthusiasm
canvas
ideological
density
movements
arrogance
reproduction
province
characteristic
combination
development
traditions
composition
phenomenon
distinguished
background
number
school
professional
troubles