again left
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
troubles
workshop
finally
community
technologies
sepia
school
traditions
photography
until
reproduction
absolutely
documentary
musician
enthusiasm
technique
province
harmony
resistant
educational
unshakable
number
phenomenon
ideological
composition
communal
background
landscapes
minerals
selection
creation
Museum
returned
characteristic
snowflakes
landscape
student
canvas
contact
distinguished
decorative
period
transmitted
development
arrogance
different
professional
institution
members
sixties
watercolors
modest
artists
emergence
manufacture
density
milestone
combination
various
soldiers
again left
available
subsequent
festivals
movements
performance