again left
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
subsequent
composition
troubles
milestone
emergence
enthusiasm
musician
resistant
until
province
sixties
arrogance
educational
sepia
modest
workshop
professional
period
technologies
ideological
school
institution
performance
various
landscapes
watercolors
manufacture
again left
Museum
available
characteristic
technique
transmitted
movements
creation
decorative
phenomenon
communal
festivals
minerals
artists
canvas
reproduction
traditions
density
finally
harmony
development
soldiers
snowflakes
community
student
contact
distinguished
number
returned
selection
landscape
combination
absolutely
documentary
different
photography
members
unshakable
background