communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
troubles
sepia
subsequent
enthusiasm
movements
combination
distinguished
number
ideological
available
creation
documentary
members
snowflakes
phenomenon
unshakable
traditions
returned
landscapes
institution
again left
student
emergence
communal
reproduction
community
manufacture
period
background
different
characteristic
various
workshop
density
watercolors
festivals
landscape
performance
harmony
arrogance
photography
absolutely
musician
milestone
modest
soldiers
school
technique
artists
transmitted
contact
composition
minerals
Museum
province
professional
until
decorative
selection
resistant
canvas
finally
development
technologies
educational
sixties