communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
traditions
finally
sepia
transmitted
documentary
resistant
milestone
movements
landscape
decorative
community
emergence
photography
professional
performance
different
returned
ideological
student
manufacture
minerals
watercolors
technologies
phenomenon
arrogance
creation
artists
modest
distinguished
school
period
landscapes
province
number
available
unshakable
various
selection
educational
communal
again left
members
festivals
until
musician
reproduction
absolutely
technique
characteristic
development
combination
density
institution
soldiers
subsequent
contact
enthusiasm
workshop
harmony
sixties
background
snowflakes
troubles
Museum
composition
canvas