communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
finally
characteristic
photography
subsequent
enthusiasm
communal
resistant
composition
phenomenon
development
landscape
professional
milestone
movements
density
performance
transmitted
community
absolutely
minerals
festivals
landscapes
student
watercolors
educational
again left
technologies
documentary
soldiers
available
workshop
creation
combination
traditions
number
manufacture
technique
members
troubles
arrogance
sixties
snowflakes
period
school
harmony
musician
background
sepia
distinguished
modest
until
unshakable
Museum
various
decorative
artists
canvas
returned
contact
ideological
emergence
selection
different
province
reproduction
institution



