communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
professional
period
musician
artists
festivals
landscapes
arrogance
community
traditions
absolutely
manufacture
Museum
snowflakes
minerals
performance
reproduction
returned
institution
ideological
sepia
emergence
harmony
again left
movements
finally
landscape
composition
background
documentary
communal
number
development
photography
combination
until
phenomenon
workshop
troubles
subsequent
distinguished
soldiers
sixties
decorative
transmitted
creation
technique
contact
technologies
school
different
members
educational
student
available
enthusiasm
selection
density
canvas
various
modest
resistant
province
watercolors
unshakable
characteristic
milestone