communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
absolutely
photography
different
creation
selection
sixties
decorative
milestone
workshop
technologies
composition
minerals
density
watercolors
unshakable
landscapes
troubles
traditions
landscape
documentary
available
sepia
ideological
Museum
communal
movements
province
reproduction
institution
professional
snowflakes
subsequent
various
transmitted
manufacture
period
number
emergence
enthusiasm
community
combination
student
artists
resistant
until
modest
technique
development
distinguished
festivals
canvas
finally
phenomenon
background
soldiers
musician
characteristic
harmony
members
school
performance
educational
again left
contact
arrogance
returned