communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
phenomenon
returned
resistant
different
performance
ideological
landscapes
combination
movements
harmony
unshakable
arrogance
milestone
technique
community
selection
reproduction
manufacture
sepia
transmitted
absolutely
various
background
development
sixties
available
members
canvas
contact
finally
soldiers
musician
student
photography
artists
period
modest
Museum
school
educational
technologies
distinguished
professional
subsequent
characteristic
workshop
troubles
province
creation
landscape
enthusiasm
watercolors
minerals
composition
decorative
density
communal
documentary
institution
festivals
traditions
number
emergence
again left
until
snowflakes