communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
harmony
institution
different
various
period
modest
watercolors
festivals
movements
landscapes
professional
selection
number
traditions
until
again left
finally
decorative
technologies
distinguished
unshakable
educational
communal
Museum
contact
combination
reproduction
creation
resistant
photography
density
performance
ideological
documentary
workshop
characteristic
phenomenon
landscape
manufacture
province
absolutely
troubles
minerals
musician
community
background
school
technique
enthusiasm
development
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milestone
arrogance
canvas
subsequent
student
members
sepia
emergence
available
artists
sixties
soldiers
returned
composition
snowflakes