communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
canvas
finally
selection
subsequent
minerals
absolutely
educational
festivals
student
snowflakes
development
transmitted
modest
sepia
sixties
reproduction
contact
members
emergence
movements
resistant
returned
landscapes
composition
available
photography
until
decorative
background
technique
combination
workshop
creation
different
musician
Museum
period
unshakable
arrogance
ideological
institution
communal
various
density
professional
performance
phenomenon
milestone
distinguished
watercolors
characteristic
school
troubles
province
landscape
again left
manufacture
documentary
artists
number
technologies
community
enthusiasm
traditions
soldiers
harmony