communal
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
milestone
transmitted
various
arrogance
manufacture
reproduction
enthusiasm
documentary
characteristic
available
technologies
snowflakes
until
communal
sepia
creation
absolutely
period
harmony
movements
performance
minerals
different
background
returned
again left
ideological
sixties
density
artists
musician
landscape
composition
Museum
subsequent
distinguished
landscapes
institution
finally
number
phenomenon
festivals
resistant
decorative
combination
troubles
school
selection
contact
student
watercolors
province
members
soldiers
modest
emergence
traditions
photography
development
professional
unshakable
workshop
educational
canvas
community
technique