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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
troubles
province
movements
manufacture
period
combination
development
workshop
performance
minerals
distinguished
technique
modest
density
composition
documentary
number
background
watercolors
characteristic
until
absolutely
soldiers
subsequent
returned
artists
community
milestone
sepia
decorative
sixties
traditions
phenomenon
creation
different
photography
contact
selection
ideological
emergence
musician
professional
transmitted
institution
finally
available
communal
various
educational
again left
landscapes
landscape
festivals
snowflakes
unshakable
canvas
technologies
harmony
members
student
Museum
resistant
arrogance
enthusiasm
reproduction
school