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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
watercolors
professional
distinguished
combination
development
background
composition
harmony
again left
musician
enthusiasm
reproduction
sepia
minerals
decorative
manufacture
available
province
transmitted
landscape
returned
members
movements
traditions
unshakable
technique
different
characteristic
educational
institution
density
number
emergence
Museum
community
subsequent
soldiers
student
performance
artists
milestone
until
sixties
selection
period
documentary
photography
festivals
absolutely
workshop
ideological
various
canvas
school
technologies
arrogance
phenomenon
troubles
snowflakes
communal
resistant
contact
modest
finally
landscapes
creation