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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
movements
period
available
workshop
technique
institution
milestone
distinguished
landscape
combination
creation
development
documentary
soldiers
resistant
manufacture
selection
troubles
Museum
harmony
members
traditions
school
sixties
transmitted
communal
emergence
absolutely
until
characteristic
arrogance
again left
student
modest
phenomenon
different
finally
unshakable
landscapes
festivals
artists
background
photography
sepia
ideological
various
decorative
professional
watercolors
contact
reproduction
snowflakes
subsequent
community
canvas
province
technologies
enthusiasm
performance
density
number
musician
educational
composition
minerals
returned