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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
sixties
student
movements
composition
development
phenomenon
subsequent
unshakable
various
musician
reproduction
traditions
soldiers
contact
landscape
workshop
communal
manufacture
again left
watercolors
distinguished
density
creation
photography
technologies
school
harmony
province
landscapes
documentary
returned
number
institution
combination
resistant
available
decorative
ideological
Museum
characteristic
sepia
period
modest
milestone
transmitted
members
background
artists
different
selection
emergence
minerals
performance
canvas
until
troubles
snowflakes
technique
absolutely
community
enthusiasm
finally
professional
educational
festivals
arrogance