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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
workshop
background
phenomenon
institution
emergence
available
province
traditions
landscapes
movements
musician
technologies
density
canvas
various
photography
troubles
soldiers
reproduction
minerals
professional
transmitted
Museum
contact
milestone
harmony
different
performance
unshakable
until
decorative
modest
resistant
community
ideological
sixties
subsequent
returned
again left
student
artists
manufacture
snowflakes
selection
finally
period
educational
absolutely
documentary
communal
arrogance
enthusiasm
watercolors
development
festivals
combination
number
creation
distinguished
sepia
members
landscape
composition
characteristic
technique
school