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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
characteristic
period
composition
subsequent
various
artists
festivals
photography
minerals
watercolors
contact
milestone
musician
sixties
soldiers
absolutely
distinguished
performance
phenomenon
selection
until
technologies
unshakable
members
troubles
canvas
snowflakes
density
manufacture
province
community
workshop
institution
creation
emergence
different
returned
available
technique
harmony
movements
enthusiasm
decorative
communal
background
professional
number
school
sepia
finally
reproduction
educational
transmitted
Museum
documentary
again left
student
traditions
landscapes
modest
landscape
ideological
development
combination
arrogance
resistant



