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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
performance
technique
emergence
returned
arrogance
contact
available
minerals
different
transmitted
until
finally
decorative
troubles
various
documentary
festivals
again left
traditions
background
landscape
canvas
resistant
institution
photography
technologies
absolutely
subsequent
workshop
unshakable
number
soldiers
sixties
reproduction
communal
distinguished
phenomenon
province
manufacture
combination
watercolors
community
educational
enthusiasm
harmony
musician
sepia
development
period
snowflakes
composition
movements
professional
selection
student
density
characteristic
modest
members
ideological
landscapes
Museum
creation
artists
milestone
school