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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
workshop
sepia
finally
performance
technique
resistant
enthusiasm
soldiers
selection
minerals
until
available
community
watercolors
documentary
harmony
period
institution
returned
members
student
technologies
landscape
phenomenon
reproduction
school
characteristic
movements
composition
emergence
different
ideological
arrogance
communal
density
musician
manufacture
modest
province
canvas
number
development
troubles
festivals
photography
milestone
subsequent
contact
Museum
sixties
background
traditions
landscapes
various
educational
absolutely
again left
artists
unshakable
snowflakes
decorative
professional
combination
distinguished
transmitted
creation