historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
absolutely
arrogance
landscape
composition
unshakable
professional
minerals
community
sepia
contact
technique
finally
subsequent
resistant
sixties
soldiers
province
Museum
institution
snowflakes
returned
until
workshop
selection
technologies
photography
various
ideological
again left
emergence
performance
artists
canvas
student
documentary
movements
milestone
festivals
combination
creation
period
harmony
number
available
background
transmitted
traditions
members
educational
distinguished
troubles
school
density
reproduction
manufacture
communal
musician
watercolors
different
characteristic
enthusiasm
phenomenon
landscapes
modest
development
decorative