historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
ideological
composition
subsequent
density
sixties
number
modest
combination
development
returned
reproduction
minerals
landscapes
phenomenon
enthusiasm
resistant
manufacture
workshop
Museum
milestone
institution
unshakable
landscape
creation
technologies
educational
absolutely
artists
photography
harmony
communal
troubles
again left
characteristic
snowflakes
school
members
watercolors
available
arrogance
decorative
different
period
technique
selection
professional
finally
distinguished
performance
contact
traditions
sepia
documentary
various
soldiers
until
community
student
emergence
province
festivals
movements
transmitted
musician
canvas
background