historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
selection
various
festivals
decorative
musician
movements
technologies
harmony
snowflakes
returned
development
distinguished
arrogance
background
province
community
professional
troubles
landscape
emergence
unshakable
ideological
combination
different
characteristic
members
canvas
subsequent
workshop
contact
period
technique
finally
Museum
number
absolutely
artists
soldiers
sixties
phenomenon
creation
reproduction
resistant
photography
again left
until
school
institution
milestone
available
density
watercolors
communal
manufacture
composition
transmitted
sepia
educational
landscapes
modest
minerals
enthusiasm
student
traditions
documentary
performance