historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
artists
arrogance
resistant
unshakable
decorative
school
different
professional
composition
characteristic
members
watercolors
troubles
soldiers
movements
educational
finally
canvas
available
festivals
community
number
absolutely
province
combination
creation
sepia
technologies
again left
period
musician
emergence
enthusiasm
phenomenon
photography
Museum
transmitted
minerals
manufacture
various
modest
subsequent
harmony
until
student
development
reproduction
ideological
density
performance
sixties
milestone
snowflakes
technique
documentary
returned
selection
distinguished
traditions
contact
landscape
workshop
background
communal
landscapes
institution