historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
ideological
subsequent
emergence
communal
performance
reproduction
decorative
harmony
characteristic
snowflakes
until
educational
traditions
unshakable
technique
festivals
troubles
background
documentary
institution
development
photography
landscapes
watercolors
various
returned
arrogance
student
contact
phenomenon
modest
province
different
canvas
artists
enthusiasm
landscape
density
selection
technologies
minerals
number
professional
soldiers
movements
Museum
distinguished
available
creation
community
milestone
finally
composition
transmitted
school
manufacture
resistant
sixties
sepia
combination
workshop
absolutely
again left
musician
members
period