historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
composition
sixties
workshop
performance
traditions
manufacture
soldiers
student
institution
ideological
movements
musician
documentary
community
troubles
development
various
province
technologies
harmony
snowflakes
arrogance
number
transmitted
members
milestone
contact
combination
background
selection
Museum
modest
different
canvas
landscape
characteristic
subsequent
minerals
distinguished
school
again left
creation
resistant
technique
available
landscapes
absolutely
artists
sepia
educational
density
unshakable
period
enthusiasm
communal
emergence
reproduction
decorative
festivals
phenomenon
until
returned
watercolors
photography
finally
professional



