historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
artists
enthusiasm
members
subsequent
community
until
educational
workshop
creation
returned
different
movements
manufacture
ideological
institution
province
musician
soldiers
snowflakes
combination
documentary
decorative
selection
sixties
performance
watercolors
period
density
harmony
composition
phenomenon
communal
characteristic
arrogance
number
available
school
distinguished
professional
minerals
canvas
Museum
various
absolutely
resistant
finally
modest
technique
emergence
reproduction
background
festivals
landscape
troubles
sepia
again left
transmitted
landscapes
contact
student
traditions
unshakable
development
photography
technologies
milestone