historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
school
members
again left
distinguished
student
community
absolutely
resistant
background
returned
province
finally
available
snowflakes
composition
documentary
communal
artists
number
selection
photography
performance
subsequent
institution
phenomenon
milestone
educational
harmony
transmitted
landscapes
traditions
professional
unshakable
ideological
troubles
decorative
movements
sepia
emergence
combination
arrogance
soldiers
technique
musician
development
density
manufacture
modest
enthusiasm
landscape
canvas
contact
festivals
characteristic
sixties
period
reproduction
various
different
Museum
workshop
creation
minerals
until
watercolors
technologies