historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
absolutely
background
different
arrogance
combination
snowflakes
performance
soldiers
canvas
returned
period
manufacture
until
photography
creation
finally
institution
again left
transmitted
educational
milestone
professional
festivals
minerals
subsequent
troubles
community
watercolors
movements
technique
resistant
school
characteristic
decorative
workshop
various
Museum
development
distinguished
documentary
traditions
student
harmony
reproduction
composition
communal
available
contact
musician
sepia
enthusiasm
phenomenon
sixties
landscape
artists
landscapes
selection
unshakable
province
ideological
emergence
density
technologies
members
number
modest