historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
decorative
harmony
school
snowflakes
institution
creation
composition
combination
phenomenon
selection
documentary
sepia
density
manufacture
subsequent
available
educational
transmitted
reproduction
emergence
festivals
photography
traditions
different
technique
soldiers
troubles
sixties
members
landscapes
province
Museum
arrogance
watercolors
canvas
modest
returned
period
absolutely
musician
community
movements
contact
until
artists
landscape
resistant
student
unshakable
ideological
characteristic
milestone
performance
workshop
enthusiasm
minerals
again left
various
distinguished
number
finally
background
professional
development
communal
technologies