historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
educational
decorative
phenomenon
landscape
watercolors
transmitted
selection
arrogance
subsequent
documentary
number
ideological
background
modest
available
institution
school
community
performance
minerals
artists
workshop
student
sixties
snowflakes
distinguished
Museum
characteristic
resistant
photography
troubles
various
professional
contact
again left
festivals
province
finally
unshakable
returned
harmony
density
milestone
communal
period
technique
emergence
members
manufacture
landscapes
composition
creation
enthusiasm
canvas
soldiers
reproduction
combination
technologies
movements
traditions
sepia
development
musician
until
absolutely
different