historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
until
musician
documentary
number
festivals
selection
members
background
traditions
institution
artists
community
phenomenon
transmitted
workshop
student
subsequent
landscape
density
again left
combination
sepia
characteristic
sixties
communal
contact
reproduction
soldiers
technique
harmony
watercolors
different
professional
school
development
available
emergence
creation
resistant
province
troubles
landscapes
manufacture
Museum
distinguished
composition
unshakable
absolutely
educational
milestone
movements
technologies
minerals
finally
snowflakes
modest
various
photography
period
returned
arrogance
ideological
performance
enthusiasm
decorative
canvas