historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
performance
traditions
selection
again left
institution
technologies
number
density
resistant
background
unshakable
until
musician
composition
technique
creation
soldiers
subsequent
characteristic
manufacture
school
reproduction
harmony
troubles
snowflakes
educational
enthusiasm
documentary
canvas
period
landscapes
movements
finally
landscape
members
festivals
available
absolutely
minerals
returned
phenomenon
communal
community
watercolors
student
photography
distinguished
artists
various
contact
transmitted
combination
province
arrogance
development
professional
milestone
workshop
emergence
decorative
sepia
different
Museum
sixties
modest
ideological




