historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
composition
arrogance
selection
troubles
sepia
festivals
milestone
landscapes
background
harmony
ideological
period
enthusiasm
movements
emergence
creation
subsequent
student
soldiers
characteristic
communal
technologies
available
landscape
phenomenon
development
finally
until
minerals
reproduction
combination
musician
modest
community
unshakable
school
absolutely
resistant
different
various
contact
professional
manufacture
members
artists
sixties
canvas
workshop
decorative
performance
distinguished
returned
photography
transmitted
snowflakes
density
number
traditions
technique
educational
province
watercolors
Museum
again left
documentary
institution




