historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
harmony
composition
development
milestone
returned
selection
school
different
number
movements
emergence
landscape
density
educational
members
landscapes
manufacture
watercolors
transmitted
sixties
technologies
troubles
festivals
minerals
period
traditions
subsequent
resistant
musician
institution
student
decorative
communal
professional
performance
absolutely
finally
reproduction
technique
background
enthusiasm
snowflakes
until
combination
soldiers
distinguished
arrogance
canvas
characteristic
photography
again left
documentary
creation
artists
community
available
ideological
contact
phenomenon
workshop
modest
Museum
sepia
various
province
unshakable