historical development
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
sixties
enthusiasm
composition
workshop
technique
unshakable
combination
sepia
decorative
watercolors
landscapes
minerals
landscape
period
density
number
again left
absolutely
subsequent
student
background
institution
phenomenon
harmony
musician
documentary
development
soldiers
canvas
Museum
community
arrogance
movements
transmitted
milestone
members
contact
emergence
professional
technologies
characteristic
province
returned
available
communal
various
finally
until
photography
creation
school
distinguished
reproduction
snowflakes
modest
resistant
performance
educational
selection
traditions
troubles
manufacture
artists
ideological
different
festivals