historical development
TALKS ON THE ISLANDS OF ART (part 3)
 The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading 
	student
manufacture
reproduction
documentary
density
workshop
milestone
until
distinguished
subsequent
ideological
enthusiasm
educational
sepia
different
members
professional
development
returned
landscapes
landscape
absolutely
combination
school
festivals
minerals
snowflakes
harmony
finally
troubles
emergence
canvas
community
transmitted
Museum
institution
province
characteristic
musician
sixties
available
technique
traditions
unshakable
photography
communal
movements
phenomenon
arrogance
decorative
artists
performance
modest
composition
creation
technologies
period
various
watercolors
soldiers
resistant
again left
number
selection
contact
background




