spiritualize the image
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
background
community
minerals
workshop
selection
resistant
performance
harmony
traditions
Museum
arrogance
returned
soldiers
sixties
sepia
technique
watercolors
artists
combination
creation
movements
province
number
again left
reproduction
characteristic
landscape
ideological
density
various
emergence
period
available
landscapes
snowflakes
contact
institution
phenomenon
composition
absolutely
festivals
modest
troubles
documentary
milestone
transmitted
subsequent
finally
photography
professional
canvas
enthusiasm
development
musician
until
educational
distinguished
decorative
unshakable
communal
members
manufacture
different
student
school
technologies



