spiritualize the image
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
emergence
educational
sixties
ideological
unshakable
modest
snowflakes
school
technologies
background
student
performance
members
number
province
photography
festivals
again left
workshop
until
resistant
finally
communal
subsequent
sepia
institution
landscape
documentary
development
various
manufacture
creation
milestone
period
composition
combination
contact
technique
harmony
community
different
decorative
absolutely
density
returned
minerals
available
watercolors
professional
transmitted
soldiers
Museum
selection
musician
traditions
troubles
enthusiasm
characteristic
movements
landscapes
arrogance
distinguished
reproduction
canvas
artists
phenomenon