spiritualize the image
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
performance
institution
troubles
period
arrogance
sepia
milestone
unshakable
combination
background
student
manufacture
soldiers
creation
absolutely
traditions
distinguished
various
resistant
characteristic
contact
movements
province
modest
available
development
community
minerals
harmony
watercolors
snowflakes
landscapes
composition
landscape
school
sixties
artists
transmitted
documentary
musician
professional
again left
enthusiasm
members
Museum
until
technologies
finally
workshop
decorative
density
returned
educational
communal
selection
technique
phenomenon
different
festivals
emergence
photography
ideological
reproduction
number
subsequent
canvas