spiritualize the image
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
artists
transmitted
educational
enthusiasm
period
canvas
musician
harmony
selection
emergence
phenomenon
technique
returned
available
festivals
ideological
Museum
unshakable
minerals
contact
traditions
composition
combination
background
school
until
documentary
soldiers
decorative
resistant
development
sepia
arrogance
workshop
student
performance
modest
institution
photography
creation
snowflakes
technologies
subsequent
various
community
number
characteristic
density
members
different
reproduction
communal
troubles
again left
milestone
landscape
distinguished
professional
finally
landscapes
watercolors
movements
sixties
absolutely
province
manufacture