spiritualize the image
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading 
	student
until
musician
enthusiasm
canvas
documentary
artists
arrogance
movements
phenomenon
subsequent
sepia
members
density
transmitted
again left
contact
resistant
institution
various
snowflakes
returned
minerals
professional
characteristic
period
milestone
combination
school
development
festivals
creation
photography
ideological
harmony
community
sixties
modest
landscapes
number
manufacture
educational
background
province
workshop
technologies
soldiers
composition
troubles
selection
available
decorative
distinguished
different
traditions
Museum
unshakable
communal
watercolors
finally
landscape
emergence
technique
reproduction
absolutely
performance




