spiritualize the image
TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
Museum
educational
sixties
watercolors
characteristic
enthusiasm
various
selection
student
institution
soldiers
landscape
communal
documentary
minerals
phenomenon
technologies
resistant
contact
combination
musician
performance
harmony
composition
photography
traditions
absolutely
arrogance
emergence
snowflakes
manufacture
artists
ideological
subsequent
again left
different
background
returned
available
troubles
decorative
reproduction
development
community
canvas
professional
period
festivals
unshakable
province
transmitted
movements
until
school
milestone
finally
density
modest
technique
distinguished
sepia
creation
workshop
landscapes
number
members