PRINT. CLASSIFICATION AND VARIETIES (part 1)
An engraving (from French estampe) is a generalized name for works of printed graphics, which is an engraving or any other print on paper from a printing form. There are…

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VITEBSK ART SCHOOL (part 3)
The circle of sources covering this time in the biography of the master is mainly identified and studied, therefore all sorts of new information and facts are so rare and…

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LENINGRAD SCHOOL OF PAINTING (part 2)
In the narrow, literal sense, the Leningrad school usually means the Leningrad Institute of Painting, Sculpture and Architecture named after I.E. Repin (LIZHSA) from 1932 until the early 1990s, its…

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absolutely

TALKS ON THE ISLANDS OF ART (part 1)

Traveling in the endless sea of ​​the Internet, you can find a great many large and small sites where people share their art, want to be heard and seen, but more often want to sell their works. On one of these islands I was lucky enough to meet a man who is seriously interested in the future of art. This is a Spanish writer and artist, recently engaged in the art associated with the latest computer technology Jrn Calo. He leads his multimedia magazine.
We started a correspondence, which turned out to be interesting and useful to both of us. Questions related to contemporary art, concern many. Therefore, we decided to make our dialogue accessible to others – on the pages of the Spanish magazine and here on our website.

After my question, does he like the abstract works of one contemporary artist, Jrn Calo wrote me the following. Continue reading

HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not…

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LENINGRAD SCHOOL OF PAINTING (part 4)
However, in 1928, after a series of publications in the journal Revolution and Culture, edited by N. I. Bukharin, supported by the section of literature and art of the Communist…

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LENINGRAD SCHOOL OF PAINTING (part 4)
However, in 1928, after a series of publications in the journal Revolution and Culture, edited by N. I. Bukharin, supported by the section of literature and art of the Communist…

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