finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
unshakable
returned
available
density
distinguished
reproduction
selection
technique
arrogance
troubles
transmitted
until
institution
background
various
canvas
number
subsequent
landscapes
milestone
phenomenon
characteristic
Museum
absolutely
resistant
traditions
movements
community
province
different
composition
documentary
decorative
sepia
snowflakes
landscape
performance
combination
ideological
contact
enthusiasm
period
school
harmony
educational
professional
technologies
emergence
artists
festivals
communal
minerals
musician
creation
manufacture
soldiers
workshop
sixties
finally
development
watercolors
modest
photography
student
members
again left