finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
performance
landscapes
minerals
selection
school
technique
snowflakes
community
phenomenon
ideological
density
unshakable
resistant
troubles
sixties
communal
transmitted
subsequent
milestone
again left
manufacture
distinguished
festivals
characteristic
combination
absolutely
student
landscape
documentary
period
returned
composition
technologies
canvas
Museum
enthusiasm
photography
reproduction
various
until
artists
background
contact
movements
arrogance
modest
traditions
province
soldiers
number
development
workshop
members
decorative
harmony
educational
professional
sepia
watercolors
institution
creation
emergence
available
different
finally
musician