finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
sixties
various
members
movements
until
professional
Museum
institution
musician
milestone
educational
minerals
photography
performance
troubles
soldiers
enthusiasm
background
different
subsequent
combination
returned
snowflakes
characteristic
absolutely
development
harmony
phenomenon
documentary
number
arrogance
distinguished
available
student
decorative
technique
selection
emergence
transmitted
sepia
community
communal
again left
landscapes
period
school
resistant
festivals
artists
composition
creation
ideological
modest
canvas
workshop
province
density
landscape
manufacture
contact
watercolors
technologies
unshakable
finally
traditions
reproduction



