finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
minerals
selection
subsequent
members
manufacture
creation
student
soldiers
professional
movements
transmitted
snowflakes
phenomenon
composition
distinguished
until
resistant
watercolors
decorative
troubles
technologies
available
communal
sixties
canvas
traditions
absolutely
institution
period
density
landscapes
Museum
technique
artists
photography
documentary
province
reproduction
performance
school
enthusiasm
again left
number
sepia
various
musician
modest
festivals
finally
landscape
development
milestone
arrogance
educational
contact
different
harmony
emergence
characteristic
background
workshop
community
combination
returned
unshakable
ideological