finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
period
festivals
sepia
resistant
watercolors
density
canvas
enthusiasm
workshop
landscape
milestone
soldiers
minerals
artists
contact
background
arrogance
various
characteristic
selection
emergence
distinguished
absolutely
musician
snowflakes
development
again left
composition
number
documentary
unshakable
different
performance
student
finally
available
returned
educational
institution
province
creation
members
movements
photography
reproduction
landscapes
transmitted
communal
troubles
decorative
combination
technologies
phenomenon
community
Museum
until
professional
sixties
manufacture
school
technique
harmony
modest
subsequent
traditions
ideological