finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
Museum
period
snowflakes
combination
subsequent
landscape
sixties
composition
festivals
sepia
phenomenon
until
soldiers
movements
unshakable
ideological
performance
communal
province
technologies
milestone
contact
distinguished
arrogance
selection
educational
technique
creation
community
different
number
emergence
landscapes
minerals
returned
modest
members
absolutely
documentary
harmony
student
musician
various
resistant
reproduction
artists
troubles
traditions
decorative
watercolors
development
school
manufacture
professional
enthusiasm
background
characteristic
density
workshop
available
transmitted
institution
again left
finally
canvas
photography