finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
enthusiasm
transmitted
harmony
minerals
photography
arrogance
documentary
members
characteristic
emergence
ideological
canvas
period
resistant
combination
again left
landscapes
performance
unshakable
Museum
contact
snowflakes
institution
musician
creation
different
festivals
absolutely
milestone
selection
number
movements
background
various
community
composition
student
phenomenon
province
communal
sixties
artists
troubles
technique
decorative
reproduction
landscape
distinguished
soldiers
professional
sepia
workshop
modest
technologies
subsequent
watercolors
educational
school
finally
development
returned
until
available
traditions
manufacture
density