finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
until
festivals
musician
enthusiasm
technologies
minerals
available
modest
decorative
selection
development
transmitted
returned
movements
ideological
characteristic
resistant
landscape
communal
Museum
student
creation
landscapes
period
province
phenomenon
combination
background
various
technique
soldiers
different
documentary
arrogance
again left
emergence
watercolors
sixties
workshop
performance
contact
photography
reproduction
canvas
school
subsequent
density
absolutely
finally
professional
snowflakes
number
traditions
manufacture
composition
unshakable
harmony
sepia
milestone
members
educational
distinguished
institution
artists
community
troubles