finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
sixties
artists
documentary
again left
emergence
contact
province
reproduction
absolutely
landscape
milestone
characteristic
decorative
minerals
soldiers
musician
workshop
troubles
traditions
Museum
educational
landscapes
institution
finally
snowflakes
period
canvas
ideological
distinguished
transmitted
manufacture
background
professional
communal
modest
technologies
selection
number
movements
available
density
various
phenomenon
creation
school
members
student
performance
harmony
community
composition
different
sepia
combination
unshakable
arrogance
resistant
returned
watercolors
festivals
subsequent
development
photography
enthusiasm
technique
until




