finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
creation
number
Museum
resistant
emergence
selection
school
contact
canvas
decorative
ideological
reproduction
documentary
phenomenon
technologies
characteristic
density
absolutely
educational
distinguished
modest
development
landscapes
sixties
student
unshakable
workshop
arrogance
subsequent
transmitted
snowflakes
technique
different
enthusiasm
communal
institution
returned
various
photography
combination
background
finally
artists
professional
festivals
milestone
sepia
traditions
composition
soldiers
harmony
musician
performance
period
again left
landscape
manufacture
community
troubles
province
until
movements
members
minerals
watercolors
available




