finally
VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War. In fact, in less than a decade, from an unknown student of a provincial artist, he grows into one of the leading masters of the emerging avant-garde. And this is not surprising if you pay attention to how easily and organically he created his original art system, attracting childishly naive imagination and romantic metaphor, intrepidly departing from realism and ahead of the masters of Western Europe, whose evolution indicates the intense efforts made to free oneself from the tenacious embrace of the artistic tradition. Continue reading
traditions
musician
transmitted
arrogance
student
sepia
performance
communal
members
characteristic
festivals
phenomenon
school
subsequent
emergence
density
decorative
troubles
modest
community
watercolors
sixties
development
landscapes
ideological
background
finally
landscape
photography
Museum
again left
combination
period
manufacture
province
resistant
different
reproduction
institution
unshakable
technologies
harmony
distinguished
contact
technique
enthusiasm
number
available
various
until
educational
movements
absolutely
returned
canvas
milestone
selection
workshop
soldiers
documentary
snowflakes
professional
composition
creation
minerals
artists