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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
artists
characteristic
number
selection
modest
until
members
sepia
traditions
communal
emergence
province
different
absolutely
school
available
community
milestone
institution
performance
phenomenon
harmony
arrogance
manufacture
transmitted
enthusiasm
student
minerals
period
canvas
landscapes
unshakable
technologies
contact
documentary
ideological
snowflakes
movements
photography
background
returned
decorative
workshop
soldiers
finally
creation
landscape
watercolors
subsequent
festivals
again left
various
troubles
distinguished
Museum
sixties
development
resistant
technique
educational
combination
composition
musician
professional
reproduction
density