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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
until
documentary
watercolors
community
distinguished
density
school
province
composition
available
traditions
modest
resistant
background
different
musician
landscapes
festivals
enthusiasm
movements
milestone
technologies
student
number
troubles
phenomenon
transmitted
reproduction
members
combination
workshop
harmony
again left
communal
finally
canvas
sixties
photography
manufacture
various
artists
minerals
educational
landscape
snowflakes
selection
sepia
returned
performance
ideological
period
development
decorative
technique
contact
subsequent
institution
professional
Museum
creation
soldiers
arrogance
characteristic
emergence
absolutely
unshakable