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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
development
period
troubles
distinguished
workshop
characteristic
technologies
traditions
photography
phenomenon
professional
educational
again left
returned
performance
different
canvas
reproduction
density
snowflakes
sixties
movements
arrogance
student
modest
Museum
technique
ideological
creation
unshakable
decorative
emergence
various
combination
enthusiasm
minerals
members
available
contact
province
school
manufacture
festivals
until
institution
documentary
finally
absolutely
community
landscape
subsequent
watercolors
sepia
transmitted
resistant
communal
landscapes
milestone
selection
harmony
artists
number
musician
background
composition
soldiers