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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
resistant
milestone
characteristic
artists
finally
documentary
ideological
landscape
institution
sepia
members
workshop
technique
performance
modest
canvas
enthusiasm
development
unshakable
available
community
absolutely
number
educational
festivals
movements
landscapes
period
transmitted
harmony
Museum
sixties
combination
soldiers
professional
various
decorative
traditions
subsequent
province
composition
selection
communal
arrogance
technologies
troubles
contact
musician
manufacture
returned
background
student
creation
until
emergence
photography
density
again left
reproduction
different
phenomenon
minerals
snowflakes
watercolors
school
distinguished