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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
distinguished
enthusiasm
arrogance
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technique
snowflakes
performance
reproduction
province
community
various
technologies
ideological
available
watercolors
period
combination
modest
decorative
members
sixties
absolutely
professional
composition
canvas
harmony
resistant
subsequent
troubles
minerals
school
institution
phenomenon
number
documentary
contact
milestone
movements
returned
soldiers
festivals
landscape
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educational
development
communal
manufacture
Museum
selection
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characteristic
photography
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landscapes
traditions
finally
until
creation
again left
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emergence
artists
student
workshop
density