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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
Museum
period
selection
musician
technologies
unshakable
resistant
decorative
contact
different
snowflakes
sixties
landscape
characteristic
school
community
landscapes
student
ideological
watercolors
until
photography
movements
phenomenon
artists
professional
reproduction
enthusiasm
harmony
canvas
finally
number
creation
sepia
combination
composition
milestone
workshop
density
minerals
troubles
traditions
background
returned
arrogance
members
province
communal
manufacture
educational
available
distinguished
performance
again left
absolutely
various
institution
subsequent
emergence
transmitted
festivals
soldiers
documentary
development
technique
modest