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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist was free from the search for composition. He directed all his internal energy to spiritualize the image. There is such an opinion in Russian philosophy of art: the more external limitations the artist has, the freer he is internally. I certainly do not call for this. Now this is impossible. Everyone just has their own way.
I also think that virtual worlds stored on infinitely renewable media, or printed with ink of dubious durability, can burst like soap bubbles at any time.
A pile of plastic garbage will be a monument to the 21st century. Continue reading
landscapes
transmitted
harmony
minerals
troubles
returned
decorative
province
composition
period
institution
contact
until
photography
student
technique
members
development
school
musician
density
modest
Museum
again left
professional
technologies
canvas
festivals
communal
snowflakes
reproduction
documentary
subsequent
available
workshop
number
movements
educational
ideological
various
distinguished
absolutely
background
traditions
manufacture
soldiers
sepia
different
phenomenon
creation
emergence
performance
selection
sixties
milestone
arrogance
community
characteristic
watercolors
unshakable
landscape
finally
enthusiasm
combination
resistant
artists



