ART UNIONS AND CREATIVE UNIONS OF RUSSIA ON THE TURN OF THE XIX-XX CENTURIES (part 3)
"Bauhaus" (German: Bauhaus - building house) - art educational institution and creative association in Germany. It was founded in 1919 by the architect V. Groppius in Weimar, in 1925 it…

Continue reading →

window replacement ottawa
TALKS ON THE ISLANDS OF ART (part 2)
02/13/2011 Jrn Calo: Dear Tatyana! First of all, I must tell you that I like to think and manage the reading public. We live in an era of image, when…

Continue reading →

ABOUT AQUARIAN PAINTING TECHNIQUE (part 4)
But with the beginning of the technical revolution, with the advent of industrial methods for the manufacture of materials, broader opportunities arose for creative experiments and the popularization of watercolor…

Continue reading →

development

STYLES AND DIRECTIONS IN THE FINE ART (part 1)

The number of styles and directions is huge, if not endless. The key feature by which works can be grouped by style is the unified principles of artistic thinking. The change of some methods of artistic thinking by others (alternation of types of compositions, methods of spatial constructions, peculiarities of color) is not accidental. Historically changeable is our perception of art.
Building a system of styles in a hierarchical order, we will adhere to the Eurocentric tradition. The largest in the history of art is the concept of the era. Each era is characterized by a certain “picture of the world”, which consists of philosophical, religious, political ideas, scientific ideas, psychological characteristics of worldview, ethical and moral norms, aesthetic criteria of life, which distinguish one era from another. Continue reading

HISTORY OF LANDSCAPE GENRE DEVELOPMENT (part 2)

Landscape motifs began to play a more important role during the High Renaissance. Many artists began to carefully study nature. Having abandoned the usual construction of spatial plans in the form of wings, piling up parts that are inconsistent in scale, they turned to scientific developments in the field of linear perspective. Now the landscape, presented as a whole picture, is becoming an essential element of artistic plots. So, in the altar compositions, which the painters most often referred to, the landscape looks like a scene with human figures in the foreground. Continue reading

HISTORY OF LANDSCAPE GENRE DEVELOPMENT (part 1)

Translated from French, the word “landscape” (paysage) means “nature”. This is what the genre is called in fine art, the main task of which is the reproduction of natural or human-modified nature.
In addition, the landscape is a specific work of art in painting or graphics, showing the viewer nature. The “hero” of such a work is a natural motif or a natural motif invented by the author.
Elements of the landscape can be found already in cave art. In the Neolithic era, primitive masters schematically depicted rivers or lakes, trees and stone blocks on the walls of caves. On the Tassilin-Ager plateau in the Sahara, drawings were found with scenes of hunting and driving herds. Continue reading

VLADIMIR SCHOOL SCHOOL SCHOOL (part 1)
Vladimir landscape painting is a trend that firmly established itself in art in the 1970s and is now included in the treasury of genuine achievements of the Russian national school.…

...

LENINGRAD SCHOOL OF PAINTING (part 1)
The history of the Leningrad school of painting covers the period from the beginning of the 1930s to the beginning of the 1990s. Having arisen in the midst of a…

...

ART UNIONS AND CREATIVE UNIONS OF RUSSIA ON THE TURN OF THE XIX-XX CENTURIES (part 1)
Abramtsevsky (Mamontovsky) art circle - the so-called Representatives of the creative intelligentsia, mainly Moscow, united around the famous businessman and philanthropist S.I. Mamontov. Meetings and meetings of artists and art…

...