boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
transmitted
arrogance
sepia
characteristic
institution
composition
various
development
communal
technique
absolutely
returned
troubles
soldiers
minerals
province
background
resistant
phenomenon
members
performance
traditions
unshakable
harmony
distinguished
modest
sixties
milestone
contact
documentary
community
combination
workshop
student
canvas
landscape
available
ideological
festivals
Museum
again left
period
until
musician
finally
photography
decorative
educational
watercolors
landscapes
artists
school
subsequent
movements
professional
technologies
snowflakes
creation
manufacture
number
different
enthusiasm
density
emergence
reproduction
selection