boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
unshakable
creation
Museum
number
phenomenon
sixties
absolutely
technologies
reproduction
finally
traditions
milestone
available
professional
arrogance
modest
decorative
members
institution
various
period
subsequent
snowflakes
communal
enthusiasm
photography
workshop
distinguished
minerals
characteristic
again left
province
different
emergence
canvas
combination
composition
transmitted
selection
returned
manufacture
until
technique
artists
watercolors
resistant
festivals
landscape
contact
educational
troubles
harmony
musician
background
movements
density
community
student
school
sepia
performance
soldiers
ideological
documentary
development
landscapes




