boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
composition
milestone
workshop
landscape
background
available
photography
again left
technologies
finally
troubles
characteristic
development
emergence
combination
reproduction
student
creation
performance
members
institution
enthusiasm
transmitted
harmony
decorative
arrogance
festivals
school
resistant
watercolors
absolutely
snowflakes
professional
educational
community
artists
sixties
Museum
minerals
sepia
distinguished
density
number
period
soldiers
subsequent
selection
technique
documentary
ideological
returned
different
unshakable
communal
contact
phenomenon
province
movements
modest
manufacture
until
canvas
musician
landscapes
traditions
various