boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
traditions
returned
modest
festivals
student
landscapes
contact
minerals
sepia
watercolors
province
composition
performance
subsequent
musician
finally
community
soldiers
selection
decorative
sixties
canvas
density
number
photography
phenomenon
educational
harmony
movements
emergence
combination
development
ideological
absolutely
communal
resistant
technologies
snowflakes
different
period
again left
members
landscape
troubles
documentary
background
reproduction
manufacture
unshakable
available
workshop
distinguished
enthusiasm
arrogance
milestone
characteristic
artists
institution
transmitted
until
school
professional
technique
Museum
various
creation




