boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
sixties
Museum
resistant
distinguished
troubles
watercolors
movements
student
technologies
different
phenomenon
institution
school
combination
creation
landscapes
community
province
reproduction
ideological
absolutely
documentary
period
composition
decorative
arrogance
minerals
contact
density
communal
milestone
transmitted
development
sepia
number
selection
artists
performance
soldiers
emergence
traditions
manufacture
modest
enthusiasm
returned
snowflakes
members
photography
workshop
again left
harmony
various
landscape
musician
festivals
educational
until
canvas
technique
background
unshakable
finally
subsequent
available
professional
characteristic