boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
available
decorative
technologies
watercolors
Museum
modest
movements
milestone
festivals
workshop
contact
number
background
resistant
minerals
manufacture
musician
harmony
members
student
combination
selection
characteristic
reproduction
emergence
communal
sixties
again left
phenomenon
different
until
unshakable
returned
landscape
technique
educational
troubles
period
snowflakes
absolutely
ideological
transmitted
density
enthusiasm
arrogance
canvas
distinguished
performance
traditions
subsequent
various
documentary
institution
artists
development
finally
professional
sepia
landscapes
creation
community
photography
soldiers
composition
school
province