boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
selection
school
troubles
workshop
technique
finally
traditions
Museum
documentary
performance
modest
again left
communal
returned
absolutely
density
members
enthusiasm
distinguished
transmitted
harmony
landscapes
combination
period
composition
movements
institution
subsequent
number
creation
until
sixties
province
snowflakes
background
professional
characteristic
different
various
canvas
student
technologies
watercolors
decorative
sepia
contact
manufacture
phenomenon
resistant
landscape
community
minerals
reproduction
available
artists
soldiers
educational
development
emergence
festivals
arrogance
musician
unshakable
ideological
photography
milestone