boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
milestone
movements
student
watercolors
creation
composition
sepia
ideological
different
technologies
period
absolutely
distinguished
background
photography
province
troubles
transmitted
landscape
canvas
educational
communal
unshakable
performance
contact
manufacture
traditions
reproduction
until
documentary
various
enthusiasm
returned
number
emergence
density
members
phenomenon
technique
school
snowflakes
selection
musician
available
resistant
modest
professional
harmony
community
characteristic
workshop
development
combination
artists
festivals
sixties
soldiers
institution
minerals
decorative
subsequent
finally
arrogance
again left
landscapes
Museum