boundaries between the parts
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
again left
canvas
professional
photography
different
composition
musician
manufacture
community
number
communal
sepia
student
troubles
documentary
contact
various
sixties
technique
density
until
festivals
province
unshakable
combination
artists
school
creation
available
reproduction
returned
development
characteristic
emergence
background
selection
snowflakes
movements
Museum
modest
traditions
decorative
minerals
period
performance
phenomenon
distinguished
landscapes
finally
subsequent
harmony
resistant
educational
landscape
enthusiasm
watercolors
arrogance
technologies
workshop
transmitted
absolutely
institution
milestone
ideological
members
soldiers