monumental painting
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
snowflakes
technologies
harmony
traditions
arrogance
characteristic
members
composition
selection
school
technique
different
artists
decorative
again left
various
until
available
musician
manufacture
community
enthusiasm
combination
student
documentary
performance
absolutely
returned
resistant
creation
reproduction
subsequent
number
educational
modest
workshop
ideological
development
distinguished
sepia
photography
canvas
institution
contact
milestone
emergence
unshakable
Museum
density
communal
soldiers
finally
landscapes
troubles
transmitted
period
minerals
landscape
festivals
sixties
background
professional
phenomenon
province
watercolors
movements