monumental painting
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
development
density
professional
different
combination
artists
movements
phenomenon
province
performance
modest
harmony
members
canvas
until
unshakable
available
milestone
Museum
community
various
sepia
transmitted
emergence
workshop
landscapes
subsequent
minerals
technologies
manufacture
characteristic
period
technique
finally
decorative
traditions
contact
background
sixties
communal
festivals
distinguished
reproduction
absolutely
ideological
snowflakes
creation
school
student
photography
soldiers
documentary
troubles
resistant
arrogance
returned
watercolors
again left
institution
landscape
musician
selection
educational
enthusiasm
composition
number