monumental painting
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
background
watercolors
period
distinguished
enthusiasm
school
members
troubles
professional
different
artists
landscape
selection
harmony
canvas
ideological
combination
until
performance
educational
available
number
musician
technique
reproduction
development
unshakable
contact
creation
characteristic
minerals
province
finally
decorative
workshop
subsequent
emergence
sepia
soldiers
sixties
phenomenon
movements
absolutely
technologies
snowflakes
arrogance
community
again left
Museum
student
institution
traditions
transmitted
communal
manufacture
density
returned
festivals
composition
various
photography
modest
milestone
landscapes
documentary
resistant