monumental painting
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
development
traditions
subsequent
number
Museum
distinguished
contact
until
unshakable
harmony
returned
resistant
student
performance
decorative
combination
absolutely
institution
photography
available
educational
different
technologies
troubles
landscape
canvas
minerals
manufacture
sepia
creation
workshop
composition
reproduction
technique
selection
finally
again left
landscapes
transmitted
soldiers
artists
musician
province
snowflakes
emergence
sixties
various
festivals
arrogance
watercolors
milestone
members
phenomenon
school
movements
community
professional
background
characteristic
documentary
enthusiasm
modest
period
density
ideological
communal