monumental painting
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
selection
artists
arrogance
density
various
harmony
resistant
available
absolutely
institution
troubles
milestone
sixties
background
documentary
combination
Museum
school
technologies
province
decorative
watercolors
performance
professional
educational
subsequent
characteristic
members
soldiers
creation
sepia
enthusiasm
manufacture
phenomenon
festivals
unshakable
emergence
landscapes
different
community
traditions
movements
returned
period
distinguished
musician
finally
again left
canvas
communal
minerals
ideological
workshop
snowflakes
photography
transmitted
student
technique
until
contact
landscape
composition
reproduction
number
modest
development