HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 2)
Let us imagine for a moment the decoration of these choirs: painted walls and ceilings, glazed tiled stoves, patterned carpets and carved shutters ... In the interiors of rich chambers,…

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LENINGRAD SCHOOL OF PAINTING (part 4)
However, in 1928, after a series of publications in the journal Revolution and Culture, edited by N. I. Bukharin, supported by the section of literature and art of the Communist…

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MASTERPIECES OF PASTEL FROM FUNDS OF THE TREYAKOV GALLERY (part 2)
In Russia, pastel technique appeared in the second half of the XVIII century, but never reached such popularity as in Europe. The first pastors known to us were invited foreign…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 2)

Incidentally, the generally accepted term “watercolor” was first used by Chennino Chennini in his Treatise on Painting (1437), the main point in the described process was the dissolution of paint in water containing vegetable gum – gummi.

So, from the history of technology it is clear that the first method of watercolor writing was painting on dry soil, another way of working, on the wet surface of the paper, was supposedly applied not earlier than the beginning of the 19th century. A more capricious and whimsical way of writing wet was born in England, probably because in a country located on an island surrounded by water in this “foggy Albion”, the increased humidity of the air itself dictated the painting’s character light and soft. Continue reading

STYLES AND DIRECTIONS IN THE FINE ART (part 1)
The number of styles and directions is huge, if not endless. The key feature by which works can be grouped by style is the unified principles of artistic thinking. The…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 4)
But with the beginning of the technical revolution, with the advent of industrial methods for the manufacture of materials, broader opportunities arose for creative experiments and the popularization of watercolor…

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VLADIMIR SCHOOL SCHOOL SCHOOL (part 2)
By the 1970s, the recognizable style of painting, common to all representatives of the Vladimir school, was finally formed. The landscape space in them, as a rule, is reduced to…

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