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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
 The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique.  Continue reading 
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composition
creation
snowflakes
transmitted
soldiers
musician
communal
absolutely
technologies
school
artists
workshop
landscape
performance
movements
enthusiasm
documentary
province
professional
various
subsequent
emergence
reproduction
number
characteristic
decorative
community
technique
distinguished
period
institution
modest
manufacture
again left
sepia
density
landscapes
combination
student
phenomenon
finally
returned
development
minerals
ideological
until
sixties
traditions
available
selection
background
festivals
resistant
watercolors
milestone
arrogance
educational
photography
harmony
different
Museum
troubles
unshakable
canvas




