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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
arrogance
manufacture
workshop
reproduction
modest
emergence
period
selection
documentary
technique
contact
characteristic
Museum
development
background
milestone
watercolors
student
sixties
finally
phenomenon
communal
composition
institution
resistant
festivals
landscapes
snowflakes
different
creation
traditions
available
movements
canvas
professional
minerals
province
absolutely
performance
subsequent
returned
distinguished
educational
members
sepia
harmony
musician
number
photography
again left
troubles
soldiers
transmitted
landscape
combination
artists
ideological
density
various
technologies
until
unshakable
school
decorative
enthusiasm
community