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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
combination
transmitted
sixties
contact
artists
distinguished
phenomenon
density
educational
different
creation
documentary
photography
festivals
until
troubles
members
province
workshop
characteristic
reproduction
absolutely
background
manufacture
finally
canvas
student
emergence
minerals
movements
enthusiasm
sepia
harmony
milestone
snowflakes
soldiers
technique
arrogance
landscapes
returned
various
traditions
unshakable
available
again left
watercolors
composition
number
Museum
community
development
subsequent
musician
ideological
technologies
professional
modest
communal
selection
decorative
period
institution
school
performance
resistant
landscape