Uncategorized
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
emergence
movements
canvas
until
again left
combination
educational
student
school
ideological
snowflakes
number
characteristic
soldiers
modest
contact
province
enthusiasm
development
communal
resistant
sepia
milestone
Museum
landscapes
watercolors
unshakable
composition
subsequent
institution
various
traditions
creation
arrogance
technique
density
phenomenon
available
technologies
finally
festivals
period
artists
community
landscape
workshop
harmony
background
absolutely
different
minerals
performance
distinguished
photography
returned
decorative
musician
professional
members
selection
documentary
troubles
transmitted
reproduction
sixties
manufacture