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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
different
development
harmony
troubles
festivals
period
again left
traditions
musician
Museum
technologies
various
soldiers
available
ideological
characteristic
province
enthusiasm
watercolors
unshakable
finally
returned
sixties
background
milestone
canvas
reproduction
movements
sepia
institution
school
arrogance
resistant
subsequent
manufacture
composition
landscape
snowflakes
photography
communal
contact
density
performance
members
documentary
educational
selection
minerals
number
landscapes
emergence
modest
technique
community
workshop
artists
professional
phenomenon
decorative
distinguished
until
creation
student
transmitted
combination
absolutely