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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
ideological
different
reproduction
again left
technique
institution
Museum
snowflakes
returned
minerals
background
arrogance
unshakable
modest
combination
educational
available
province
until
selection
musician
decorative
community
characteristic
photography
troubles
subsequent
period
landscapes
creation
enthusiasm
absolutely
members
traditions
phenomenon
sepia
canvas
communal
artists
sixties
various
finally
workshop
school
development
resistant
number
harmony
manufacture
emergence
watercolors
density
student
contact
documentary
movements
distinguished
festivals
composition
professional
technologies
landscape
milestone
soldiers
transmitted
performance