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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
returned
professional
resistant
development
milestone
period
selection
until
institution
traditions
sepia
ideological
harmony
members
distinguished
minerals
manufacture
technique
festivals
community
educational
number
unshakable
contact
emergence
landscape
performance
different
combination
Museum
watercolors
finally
again left
reproduction
snowflakes
enthusiasm
available
photography
school
creation
modest
soldiers
landscapes
decorative
documentary
phenomenon
background
arrogance
transmitted
workshop
sixties
canvas
absolutely
subsequent
communal
density
student
musician
artists
technologies
characteristic
composition
province
movements
troubles
various