LENINGRAD SCHOOL OF PAINTING (part 1)
The history of the Leningrad school of painting covers the period from the beginning of the 1930s to the beginning of the 1990s. Having arisen in the midst of a…

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STYLES AND DIRECTIONS IN THE FINE ART (part 1)
The number of styles and directions is huge, if not endless. The key feature by which works can be grouped by style is the unified principles of artistic thinking. The…

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OIL ART PAINTS (part 1)
Artistic paints consist of colored powder - a pigment and a binder that holds together the smallest particles. In painting, mainly inorganic coloring materials are used, as more persistent, less…

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phenomena of life

STYLES AND DIRECTIONS IN THE FINE ART (part 2)

Classicism – an artistic style in Western European art of the XVII – beginning. XIX century and in the Russian XVIII – early. XIX, referring to the ancient heritage as an ideal for imitation. It manifested itself in architecture, sculpture, painting, arts and crafts. Classic artists considered antiquity the highest achievement and made it their standard in art, which they sought to imitate. Over time, degenerated into academicism.
Romanticism Romanticism is a trend in European and Russian art of the 1820-1830s that replaced classicism. Romantics highlighted individuality, contrasting the idealistic beauty of the classicists with “imperfect” reality. Artists were attracted by bright, rare, extraordinary phenomena, as well as images of a fantastic nature. In the art of romanticism, a sharp role is played by keen individual perception and experience. Continue reading

EXCURSION TO THE WORLD OF PAINTING (part 2)

By depicting reality on a two-dimensional plane, painting creates the illusion of three-dimensionality and volume: people and objects appear to be at different distances from the viewer — some closer, others farther, and nature depicts a current that sky seems to stretch to the horizon. For example, in a relatively small picture by I. Levitan “Vladimirka” the road is perceived as infinity.
The impression of depth is achieved using the law of perspective. A linear perspective makes it possible to build the apparent outlines of objects, and an aerial perspective – a change in color and shape. Thanks to chiaroscuro, an illusion of volume, bulge is created. Chiaroscuro is formed by a subtle and accurate combination of the illuminated and unlit side of the objects depicted in the picture. Continue reading

ABOUT AQUARIAN PAINTING TECHNIQUE (part 1)
The element of water and paint Despite the availability and prevalence, the watercolor technique remains mysterious and incomprehensible to many, both amateurs and professional artists. Despite the apparent lightness, this…

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TALKS ON THE ISLANDS OF ART (part 1)
Traveling in the endless sea of ​​the Internet, you can find a great many large and small sites where people share their art, want to be heard and seen, but…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 2)
Incidentally, the generally accepted term "watercolor" was first used by Chennino Chennini in his Treatise on Painting (1437), the main point in the described process was the dissolution of paint…

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