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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
transmitted
troubles
community
school
subsequent
documentary
institution
available
creation
background
technique
soldiers
watercolors
emergence
number
distinguished
manufacture
various
technologies
musician
movements
minerals
ideological
density
different
artists
characteristic
professional
landscape
workshop
performance
landscapes
selection
snowflakes
communal
sepia
canvas
sixties
educational
Museum
period
unshakable
again left
absolutely
harmony
milestone
finally
festivals
student
traditions
returned
members
reproduction
until
modest
resistant
province
photography
combination
arrogance
enthusiasm
contact
composition
phenomenon
decorative
development