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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
distinguished
sepia
period
communal
sixties
various
characteristic
landscapes
subsequent
members
different
combination
musician
institution
phenomenon
again left
number
manufacture
technique
educational
arrogance
canvas
documentary
available
enthusiasm
unshakable
development
harmony
minerals
artists
movements
ideological
contact
province
troubles
absolutely
resistant
performance
professional
festivals
traditions
returned
decorative
snowflakes
creation
composition
photography
Museum
milestone
community
until
finally
modest
technologies
transmitted
student
selection
soldiers
density
landscape
school
reproduction
background
workshop
watercolors
emergence