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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
festivals
sixties
Museum
photography
soldiers
returned
reproduction
characteristic
minerals
available
ideological
community
density
until
modest
enthusiasm
again left
finally
milestone
number
period
contact
traditions
transmitted
workshop
technologies
educational
subsequent
development
snowflakes
professional
school
various
resistant
emergence
technique
movements
landscape
troubles
phenomenon
documentary
performance
background
combination
student
manufacture
harmony
members
selection
watercolors
creation
canvas
communal
decorative
different
artists
sepia
landscapes
institution
distinguished
unshakable
absolutely
arrogance
composition
province
musician




