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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
workshop
Museum
decorative
returned
development
ideological
arrogance
members
transmitted
educational
enthusiasm
institution
characteristic
manufacture
canvas
selection
community
sepia
festivals
again left
photography
until
professional
reproduction
various
minerals
unshakable
distinguished
phenomenon
watercolors
harmony
school
milestone
number
sixties
composition
performance
movements
student
troubles
communal
modest
combination
finally
artists
contact
traditions
creation
available
landscapes
background
snowflakes
technologies
landscape
absolutely
resistant
subsequent
density
musician
period
province
soldiers
documentary
technique
emergence
different