STYLES AND DIRECTIONS IN THE FINE ART (part 1)
The number of styles and directions is huge, if not endless. The key feature by which works can be grouped by style is the unified principles of artistic thinking. The…

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EXCURSION TO THE WORLD OF PAINTING (part 1)
Painting, according to the apt remark of the artist K. Yuon, is “a living letter or a letter about the living”. At first glance, this may seem paradoxical: after all,…

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OIL ART PAINTS (part 2)
You probably noticed that the colors on the palette soon stop getting dirty, but if you slightly press on them with your finger, you can make sure that they are…

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Monthly Archives: November 2017

HISTORY OF LANDSCAPE GENRE DEVELOPMENT (part 1)

Translated from French, the word “landscape” (paysage) means “nature”. This is what the genre is called in fine art, the main task of which is the reproduction of natural or human-modified nature.
In addition, the landscape is a specific work of art in painting or graphics, showing the viewer nature. The “hero” of such a work is a natural motif or a natural motif invented by the author.
Elements of the landscape can be found already in cave art. In the Neolithic era, primitive masters schematically depicted rivers or lakes, trees and stone blocks on the walls of caves. On the Tassilin-Ager plateau in the Sahara, drawings were found with scenes of hunting and driving herds. Continue reading

HISTORY OF THE ORIGIN AND DEVELOPMENT OF THE WHITE ART

Thread painting
“A tapestry is a beauty, slowly created by warm, skillful hands, a calm mind and a sensitive soul.”
I. Dvorkina

Today, a variety of decorative and applied art, traditionally called a “tapestry”, acts as a complex artistic phenomenon that combines the qualities of several genres at once – from “hand weaving” to “textile” sculpture.
Initially, the concept of tapestry was a method of producing fabric that looks like a wall lint-free carpet with a plot or ornamental composition. This carpet was woven manually, from colored or silk threads through their cross-weave. Continue reading

HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 2)

Let us imagine for a moment the decoration of these choirs: painted walls and ceilings, glazed tiled stoves, patterned carpets and carved shutters … In the interiors of rich chambers, only windows could remain colorless spots. Stained-glass windows — multicolored glasses and mica plates assembled in the pattern — helped to solve the problem, complementing the atmosphere of the luxurious life of the then aristocracy. “The colored light that now penetrated through the glass and mica stained-glass windows created a special, joyful mood, made the interior cozy, complemented the beauty of the brightly-patterned decoration of the room.” Continue reading

CLASSIFICATION OF WORKS OF THE FINE ART
Classification of works of art by type, material, technique and genre. Works of fine art are divided into the following main types: painting, graphics, sculpture, decorative and applied art. Recently,…

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VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War.…

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LENINGRAD SCHOOL OF PAINTING (part 4)
However, in 1928, after a series of publications in the journal Revolution and Culture, edited by N. I. Bukharin, supported by the section of literature and art of the Communist…

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