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LENINGRAD SCHOOL OF PAINTING (part 2)
In the narrow, literal sense, the Leningrad school usually means the Leningrad Institute of Painting, Sculpture and Architecture named after I.E. Repin (LIZHSA) from 1932 until the early 1990s, its…

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HISTORY OF ORIGIN AND DEVELOPMENT OF ART OF ENAMEL (part 1)
The history of enamel art, as well as jewelry, has more than three thousand years of history. When and where was the first enameling, i.e. colored glass in the molten…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 3)
The foregoing applies to any kind of art, but it is watercolor that is particularly susceptible to temperament and the “movement of the brush” emanating from the movement of the…

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fenced the inhabitants

ART UNIONS AND CREATIVE UNIONS OF RUSSIA ON THE TURN OF THE XIX-XX CENTURIES (part 2)

The Association of New Architects (ASNOVA) is the first organization of innovative architects in post-revolutionary Russia, founded in 1923 in Moscow. The aim of the Association was to develop a new formal-artistic language of architecture, new methods of architectural education. The Association was closely connected with the Faculty of Architecture of Vhutemas, its members (N.V. Dokuchaev, V.F. Krinsky and others) organized a special department there, where teaching was conducted according to the new methodology. In addition, members of ASNOVA appeared in the press on various issues of architecture, and also prepared the publication “Architecture of Vhutemas” (M., 1927). Continue reading →

Posted in expressionist works, external resemblance, feelings and emotions, fenced the inhabitants, flannel moistened

HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 2)

Let us imagine for a moment the decoration of these choirs: painted walls and ceilings, glazed tiled stoves, patterned carpets and carved shutters … In the interiors of rich chambers, only windows could remain colorless spots. Stained-glass windows — multicolored glasses and mica plates assembled in the pattern — helped to solve the problem, complementing the atmosphere of the luxurious life of the then aristocracy. “The colored light that now penetrated through the glass and mica stained-glass windows created a special, joyful mood, made the interior cozy, complemented the beauty of the brightly-patterned decoration of the room.” Continue reading →

Posted in construction and decoration, feelings and emotions, fenced the inhabitants, oriental styles, palaces are most prevalent
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VITEBSK ART SCHOOL (part 3)
The circle of sources covering this time in the biography of the master is mainly identified and studied, therefore all sorts of new information and facts are so rare and…

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HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 1)
When sunlight penetrates through the high openings of windows, stained glass paintings, stained glass patterns seem to flash, light up in bright color, begin to glow, transforming the interior, filling…

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VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War.…

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