manifestation is one
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
phenomenon
troubles
professional
contact
resistant
workshop
returned
photography
educational
emergence
composition
various
selection
minerals
festivals
sepia
ideological
technique
school
student
artists
combination
watercolors
available
unshakable
province
sixties
milestone
period
decorative
density
musician
modest
manufacture
landscapes
characteristic
distinguished
technologies
snowflakes
transmitted
different
movements
creation
harmony
institution
absolutely
traditions
soldiers
community
subsequent
Museum
arrogance
documentary
background
number
members
performance
until
enthusiasm
communal
finally
development
landscape
again left
reproduction
canvas




