manifestation is one
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
resistant
movements
selection
unshakable
background
subsequent
absolutely
arrogance
members
various
development
available
professional
traditions
different
community
period
milestone
workshop
snowflakes
canvas
troubles
ideological
transmitted
festivals
returned
reproduction
emergence
landscapes
institution
province
composition
communal
minerals
documentary
sixties
decorative
density
distinguished
soldiers
sepia
again left
photography
enthusiasm
harmony
student
creation
combination
technique
educational
performance
school
phenomenon
musician
until
contact
modest
Museum
finally
watercolors
artists
landscape
characteristic
number
technologies
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