manifestation is one
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
community
enthusiasm
again left
performance
student
returned
composition
distinguished
technologies
harmony
professional
resistant
Museum
festivals
manufacture
snowflakes
finally
decorative
reproduction
movements
density
minerals
ideological
landscape
background
landscapes
province
workshop
characteristic
emergence
institution
transmitted
creation
traditions
school
arrogance
musician
phenomenon
artists
available
canvas
documentary
selection
combination
unshakable
period
number
sixties
development
troubles
soldiers
absolutely
photography
watercolors
different
communal
subsequent
contact
various
until
educational
milestone
technique
members
sepia
modest