manifestation is one
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
landscapes
movements
combination
phenomenon
watercolors
student
until
decorative
performance
transmitted
community
landscape
returned
members
creation
reproduction
educational
technique
composition
finally
contact
distinguished
Museum
sixties
unshakable
period
workshop
communal
different
traditions
milestone
documentary
snowflakes
sepia
absolutely
technologies
arrogance
province
ideological
harmony
various
resistant
background
troubles
canvas
musician
enthusiasm
institution
characteristic
artists
festivals
development
selection
school
soldiers
available
minerals
emergence
again left
photography
professional
number
modest
subsequent
manufacture
density