manifestation is one
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
resistant
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student
period
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emergence
members
traditions
soldiers
sixties
selection
until
transmitted
workshop
community
musician
ideological
professional
milestone
Museum
composition
festivals
watercolors
sepia
number
school
landscapes
finally
harmony
background
troubles
absolutely
artists
arrogance
technique
development
province
educational
manufacture
phenomenon
again left
reproduction
available
technologies
various
communal
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snowflakes
subsequent
canvas
institution
photography
decorative
movements
modest
documentary
returned
creation
landscape
distinguished
density
minerals
enthusiasm
combination