manifestation is one
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
resistant
photography
troubles
manufacture
decorative
school
landscapes
performance
creation
development
subsequent
period
selection
snowflakes
technologies
reproduction
transmitted
various
returned
educational
harmony
landscape
emergence
background
until
soldiers
musician
movements
artists
minerals
documentary
absolutely
milestone
modest
combination
contact
professional
different
phenomenon
available
again left
canvas
distinguished
unshakable
community
communal
Museum
festivals
institution
student
traditions
sepia
watercolors
workshop
finally
ideological
province
members
sixties
number
enthusiasm
composition
density
characteristic
arrogance
technique



