manifestation is one
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
arrogance
subsequent
milestone
performance
student
manufacture
available
resistant
professional
sepia
various
development
density
technique
phenomenon
decorative
movements
school
communal
documentary
troubles
festivals
unshakable
contact
photography
different
landscapes
province
workshop
period
composition
characteristic
absolutely
number
selection
creation
distinguished
ideological
transmitted
modest
musician
educational
institution
enthusiasm
snowflakes
traditions
again left
soldiers
watercolors
canvas
reproduction
Museum
sixties
until
artists
landscape
members
harmony
minerals
returned
technologies
finally
emergence
community
combination
background



