TALKS ON THE ISLANDS OF ART (part 1)
Traveling in the endless sea of ​​the Internet, you can find a great many large and small sites where people share their art, want to be heard and seen, but…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 1)
The element of water and paint Despite the availability and prevalence, the watercolor technique remains mysterious and incomprehensible to many, both amateurs and professional artists. Despite the apparent lightness, this…

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VITEBSK ART SCHOOL (part 3)
The circle of sources covering this time in the biography of the master is mainly identified and studied, therefore all sorts of new information and facts are so rare and…

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laborious

PRINT. CLASSIFICATION AND VARIETIES (part 1)

An engraving (from French estampe) is a generalized name for works of printed graphics, which is an engraving or any other print on paper from a printing form.
There are four types of prints: high (convex) printing, flat printing, intaglio printing and screen printing. Convex printing includes woodcut, linocut and cardboard engraving. For flat printing – lithography with all its varieties and monotype. Intaglio printing: etching, engraving, mezzo-tinto, dotted line, dry needle, aquatint, reserve, lavis, soft varnish, pencil style. Screen printing – silk screen printing.
Let us consider in more detail the main print techniques in chronological order. Continue reading

HISTORY OF THE DEVELOPMENT OF THE DUTCH AND FLEMAND STILL LIFE (part 2)
The developed manufactory, which arose on the basis of marine industries and shipping, a huge colonial economy and a leading role in world trade, provided Holland with an economic upsurge.…

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LENINGRAD SCHOOL OF PAINTING (part 4)
However, in 1928, after a series of publications in the journal Revolution and Culture, edited by N. I. Bukharin, supported by the section of literature and art of the Communist…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 3)
The foregoing applies to any kind of art, but it is watercolor that is particularly susceptible to temperament and the “movement of the brush” emanating from the movement of the…

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