director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
movements
different
subsequent
members
resistant
distinguished
institution
characteristic
soldiers
selection
arrogance
artists
modest
performance
documentary
sepia
background
density
technologies
sixties
technique
traditions
transmitted
absolutely
number
landscapes
decorative
until
finally
composition
combination
returned
workshop
enthusiasm
school
Museum
unshakable
festivals
contact
various
province
emergence
community
professional
manufacture
troubles
musician
milestone
creation
harmony
watercolors
canvas
snowflakes
ideological
photography
minerals
again left
communal
reproduction
landscape
student
educational
available
phenomenon
development
period




