director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
decorative
transmitted
various
educational
returned
enthusiasm
community
musician
landscape
Museum
reproduction
troubles
minerals
resistant
performance
modest
composition
workshop
selection
province
members
technique
festivals
canvas
distinguished
unshakable
snowflakes
again left
movements
development
absolutely
artists
characteristic
finally
harmony
creation
different
communal
period
documentary
student
sepia
density
landscapes
available
photography
soldiers
professional
until
technologies
subsequent
traditions
school
sixties
background
phenomenon
ideological
contact
institution
manufacture
arrogance
combination
milestone
watercolors
number
emergence