director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
musician
performance
resistant
various
phenomenon
technique
photography
milestone
harmony
Museum
province
period
workshop
traditions
decorative
arrogance
members
communal
until
subsequent
school
documentary
enthusiasm
institution
ideological
background
number
movements
available
combination
selection
manufacture
emergence
different
unshakable
absolutely
sepia
artists
transmitted
reproduction
composition
creation
finally
development
troubles
soldiers
educational
community
contact
canvas
landscape
again left
minerals
watercolors
landscapes
density
technologies
distinguished
festivals
returned
snowflakes
characteristic
sixties
modest
professional
student