director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
troubles
background
landscape
ideological
characteristic
institution
resistant
phenomenon
unshakable
traditions
reproduction
province
festivals
sepia
snowflakes
communal
composition
documentary
minerals
educational
subsequent
canvas
musician
decorative
again left
density
enthusiasm
contact
landscapes
modest
absolutely
technologies
Museum
arrogance
combination
creation
milestone
different
sixties
watercolors
soldiers
performance
emergence
available
finally
transmitted
development
school
until
period
manufacture
photography
artists
workshop
movements
various
professional
community
distinguished
members
returned
technique
number
student
selection
harmony




