director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
period
contact
Museum
creation
composition
resistant
communal
development
technologies
different
watercolors
harmony
returned
decorative
documentary
student
ideological
transmitted
landscape
until
milestone
performance
sixties
workshop
emergence
phenomenon
subsequent
distinguished
finally
reproduction
photography
available
again left
various
characteristic
musician
canvas
enthusiasm
snowflakes
soldiers
traditions
manufacture
sepia
province
professional
absolutely
background
festivals
modest
community
unshakable
institution
school
minerals
arrogance
selection
landscapes
number
members
density
movements
combination
troubles
technique
artists
educational