director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
troubles
reproduction
available
background
characteristic
creation
snowflakes
finally
development
again left
enthusiasm
contact
composition
soldiers
performance
technologies
watercolors
subsequent
landscape
institution
Museum
educational
sixties
returned
density
student
community
artists
modest
canvas
various
workshop
combination
musician
selection
ideological
photography
absolutely
harmony
movements
technique
landscapes
unshakable
documentary
transmitted
members
manufacture
school
traditions
communal
different
until
milestone
arrogance
distinguished
phenomenon
number
sepia
province
emergence
minerals
professional
resistant
period
decorative
festivals