director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
landscape
performance
development
movements
documentary
unshakable
combination
density
selection
harmony
number
workshop
ideological
phenomenon
milestone
technique
communal
emergence
contact
troubles
photography
school
finally
sixties
soldiers
subsequent
again left
sepia
educational
arrogance
canvas
different
modest
background
watercolors
enthusiasm
student
festivals
resistant
composition
snowflakes
distinguished
landscapes
reproduction
characteristic
artists
period
Museum
traditions
province
musician
members
returned
absolutely
manufacture
institution
various
community
transmitted
available
until
minerals
decorative
creation
professional
technologies