director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
movements
soldiers
technologies
finally
different
development
sepia
documentary
school
resistant
artists
educational
professional
creation
troubles
sixties
harmony
landscapes
arrogance
distinguished
traditions
milestone
province
background
combination
modest
landscape
again left
density
number
absolutely
enthusiasm
canvas
performance
minerals
student
characteristic
manufacture
composition
various
subsequent
contact
transmitted
photography
decorative
snowflakes
festivals
phenomenon
available
until
community
communal
reproduction
workshop
returned
unshakable
institution
emergence
watercolors
Museum
members
technique
ideological
selection
period
musician