director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
sepia
different
professional
minerals
harmony
combination
phenomenon
school
creation
soldiers
photography
characteristic
manufacture
until
various
festivals
composition
artists
background
again left
period
transmitted
technologies
educational
performance
landscapes
milestone
resistant
reproduction
contact
development
decorative
enthusiasm
arrogance
ideological
absolutely
traditions
returned
institution
musician
emergence
distinguished
available
modest
troubles
members
snowflakes
workshop
community
landscape
student
canvas
number
technique
selection
finally
movements
communal
documentary
Museum
province
watercolors
density
unshakable
sixties
subsequent