director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
unshakable
background
reproduction
subsequent
snowflakes
until
musician
artists
again left
characteristic
arrogance
distinguished
photography
ideological
festivals
number
professional
emergence
development
resistant
workshop
milestone
watercolors
enthusiasm
soldiers
composition
school
selection
landscapes
sixties
technique
harmony
returned
troubles
available
movements
performance
contact
community
members
various
density
landscape
educational
communal
minerals
Museum
documentary
canvas
different
traditions
finally
student
period
manufacture
creation
absolutely
transmitted
province
combination
sepia
technologies
modest
institution
decorative
phenomenon