director
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
ideological
Museum
available
watercolors
returned
composition
selection
troubles
resistant
members
phenomenon
contact
distinguished
combination
harmony
arrogance
background
minerals
technique
institution
again left
reproduction
performance
student
technologies
unshakable
number
sixties
professional
festivals
communal
emergence
landscapes
characteristic
workshop
school
density
development
community
different
enthusiasm
transmitted
photography
absolutely
traditions
sepia
creation
musician
until
modest
milestone
finally
subsequent
manufacture
educational
period
various
artists
canvas
movements
landscape
decorative
province
documentary
soldiers
snowflakes




