color
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
modest
technique
period
minerals
watercolors
harmony
landscapes
soldiers
phenomenon
Museum
emergence
troubles
student
again left
movements
snowflakes
festivals
enthusiasm
decorative
school
traditions
distinguished
returned
development
reproduction
artists
absolutely
finally
resistant
subsequent
communal
documentary
sixties
sepia
community
landscape
arrogance
canvas
professional
technologies
manufacture
background
educational
workshop
composition
creation
density
characteristic
different
photography
unshakable
contact
institution
performance
combination
ideological
available
various
until
milestone
selection
number
musician
province
transmitted
members