color
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
movements
community
composition
distinguished
resistant
selection
troubles
emergence
workshop
performance
milestone
absolutely
harmony
reproduction
different
canvas
unshakable
school
ideological
arrogance
landscape
again left
musician
Museum
watercolors
professional
sepia
sixties
educational
density
minerals
communal
contact
technique
soldiers
transmitted
combination
background
landscapes
artists
various
subsequent
available
festivals
student
members
number
modest
technologies
finally
characteristic
manufacture
photography
decorative
period
documentary
development
phenomenon
institution
enthusiasm
province
until
traditions
creation
snowflakes
returned