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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
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performance
resistant
traditions
sixties
emergence
unshakable
sepia
arrogance
Museum
period
characteristic
distinguished
combination
enthusiasm
artists
communal
background
technique
harmony
school
number
phenomenon
ideological
composition
modest
returned
development
again left
various
technologies
finally
different
creation
available
community
density
milestone
documentary
minerals
province
until
movements
transmitted
institution
landscapes
manufacture
subsequent
snowflakes
landscape
canvas
festivals
absolutely
members
decorative
educational
student
troubles
soldiers
watercolors
musician
professional
selection
workshop
reproduction
photography