apotheosis
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
again left
communal
contact
photography
selection
finally
characteristic
development
professional
modest
province
festivals
period
decorative
documentary
movements
musician
number
institution
until
various
workshop
artists
school
available
density
returned
resistant
traditions
emergence
transmitted
technologies
creation
subsequent
landscapes
canvas
different
enthusiasm
background
harmony
distinguished
arrogance
absolutely
sepia
troubles
technique
combination
sixties
minerals
soldiers
student
performance
members
milestone
manufacture
watercolors
educational
phenomenon
Museum
unshakable
community
snowflakes
ideological
landscape
composition
reproduction