apotheosis
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
sepia
density
ideological
development
arrogance
unshakable
movements
distinguished
background
photography
emergence
members
technique
various
decorative
absolutely
school
communal
student
landscapes
Museum
contact
selection
documentary
transmitted
combination
community
educational
composition
landscape
creation
period
number
modest
subsequent
professional
soldiers
until
manufacture
sixties
milestone
technologies
different
snowflakes
again left
reproduction
institution
enthusiasm
phenomenon
returned
troubles
festivals
workshop
characteristic
performance
traditions
canvas
watercolors
province
musician
finally
artists
minerals
available
resistant
harmony




