apotheosis
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
emergence
province
performance
combination
artists
musician
technologies
professional
available
community
educational
enthusiasm
workshop
minerals
selection
photography
snowflakes
harmony
movements
sixties
various
distinguished
composition
canvas
documentary
sepia
until
festivals
phenomenon
modest
returned
communal
unshakable
milestone
again left
manufacture
density
development
different
members
finally
ideological
landscapes
technique
school
institution
subsequent
troubles
reproduction
characteristic
period
watercolors
soldiers
creation
absolutely
Museum
background
landscape
number
decorative
resistant
contact
traditions
transmitted
student
arrogance