apotheosis
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
minerals
reproduction
phenomenon
period
distinguished
snowflakes
enthusiasm
watercolors
creation
members
combination
manufacture
resistant
technologies
emergence
number
milestone
Museum
various
subsequent
institution
ideological
artists
selection
professional
landscapes
transmitted
documentary
school
characteristic
development
sepia
performance
again left
harmony
returned
technique
landscape
absolutely
movements
decorative
unshakable
until
arrogance
finally
sixties
workshop
contact
available
musician
soldiers
community
communal
background
province
educational
photography
density
modest
different
troubles
composition
traditions
canvas
festivals
student