apotheosis
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
musician
troubles
resistant
communal
photography
community
number
minerals
phenomenon
absolutely
documentary
period
harmony
enthusiasm
sixties
available
characteristic
decorative
various
development
contact
selection
watercolors
institution
landscapes
technique
arrogance
milestone
professional
until
background
traditions
composition
subsequent
transmitted
soldiers
educational
creation
unshakable
landscape
returned
Museum
student
festivals
canvas
movements
school
density
different
modest
technologies
snowflakes
reproduction
manufacture
ideological
workshop
combination
performance
finally
emergence
members
distinguished
sepia
again left
artists
province




