apotheosis
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
density
festivals
technologies
subsequent
musician
photography
educational
professional
documentary
modest
institution
workshop
manufacture
sixties
soldiers
arrogance
enthusiasm
again left
sepia
period
landscape
combination
selection
various
Museum
phenomenon
resistant
landscapes
returned
absolutely
characteristic
background
province
movements
emergence
technique
performance
snowflakes
minerals
creation
composition
community
watercolors
communal
until
school
troubles
reproduction
traditions
canvas
transmitted
number
decorative
milestone
contact
student
distinguished
available
members
different
ideological
finally
unshakable
artists
harmony
development