RUSSIAN ACADEMY OF ART OF ST. PETERSBURG (part 2)
Under Catherine II, in 1764, a new detailed Charter of the Imperial Academy of Arts was adopted, and the close sovereign Ivan Ivanovich Betskoy became president. The Empress wrote: "For…

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EXCURSION TO THE WORLD OF PAINTING (part 2)
By depicting reality on a two-dimensional plane, painting creates the illusion of three-dimensionality and volume: people and objects appear to be at different distances from the viewer — some closer,…

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LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to "left" art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge…

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oriental styles

PRINT. CLASSIFICATION AND VARIETIES (part 2)

Lavis (from Fr. lavis – wash) – a kind of aquatint. Known since the 1780s. The drawing is applied by needle etching. The tonality is obtained by etching with acid, which is applied to the board with a brush. The boundaries of the tone spot are sharply defined. The print of Lavis resembles a work executed in watercolor. Lavis is very close to aquatint in terms of its external visual characteristics, but differs from it in watercolors of a tone spot, softness and fuzziness of outlines. Like aquatint, Lavis is used in combination with other etchings, for example, with a dry needle. The technique allows you to get no more than 30 quality prints from one board.
Zuev Alexey. Lada. Molodetsky Kurgan – Reservazh Reservazh (from French réservage) is a type of etching. The reserve first appeared in France in the second half of the 19th century. Continue reading

HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 2)

Let us imagine for a moment the decoration of these choirs: painted walls and ceilings, glazed tiled stoves, patterned carpets and carved shutters … In the interiors of rich chambers, only windows could remain colorless spots. Stained-glass windows — multicolored glasses and mica plates assembled in the pattern — helped to solve the problem, complementing the atmosphere of the luxurious life of the then aristocracy. “The colored light that now penetrated through the glass and mica stained-glass windows created a special, joyful mood, made the interior cozy, complemented the beauty of the brightly-patterned decoration of the room.” Continue reading

VLADIMIR SCHOOL SCHOOL SCHOOL (part 2)
By the 1970s, the recognizable style of painting, common to all representatives of the Vladimir school, was finally formed. The landscape space in them, as a rule, is reduced to…

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OIL ART PAINTS (part 2)
You probably noticed that the colors on the palette soon stop getting dirty, but if you slightly press on them with your finger, you can make sure that they are…

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VLADIMIR SCHOOL SCHOOL SCHOOL (part 1)
Vladimir landscape painting is a trend that firmly established itself in art in the 1970s and is now included in the treasury of genuine achievements of the Russian national school.…

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