VLADIMIR SCHOOL SCHOOL SCHOOL (part 1)
Vladimir landscape painting is a trend that firmly established itself in art in the 1970s and is now included in the treasury of genuine achievements of the Russian national school.…

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HISTORY OF LANDSCAPE GENRE DEVELOPMENT (part 1)
Translated from French, the word “landscape” (paysage) means “nature”. This is what the genre is called in fine art, the main task of which is the reproduction of natural or…

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EXCURSION TO THE WORLD OF PAINTING (part 1)
Painting, according to the apt remark of the artist K. Yuon, is “a living letter or a letter about the living”. At first glance, this may seem paradoxical: after all,…

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oriental styles

PRINT. CLASSIFICATION AND VARIETIES (part 2)

Lavis (from Fr. lavis – wash) – a kind of aquatint. Known since the 1780s. The drawing is applied by needle etching. The tonality is obtained by etching with acid, which is applied to the board with a brush. The boundaries of the tone spot are sharply defined. The print of Lavis resembles a work executed in watercolor. Lavis is very close to aquatint in terms of its external visual characteristics, but differs from it in watercolors of a tone spot, softness and fuzziness of outlines. Like aquatint, Lavis is used in combination with other etchings, for example, with a dry needle. The technique allows you to get no more than 30 quality prints from one board.
Zuev Alexey. Lada. Molodetsky Kurgan – Reservazh Reservazh (from French réservage) is a type of etching. The reserve first appeared in France in the second half of the 19th century. Continue reading

HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 2)

Let us imagine for a moment the decoration of these choirs: painted walls and ceilings, glazed tiled stoves, patterned carpets and carved shutters … In the interiors of rich chambers, only windows could remain colorless spots. Stained-glass windows — multicolored glasses and mica plates assembled in the pattern — helped to solve the problem, complementing the atmosphere of the luxurious life of the then aristocracy. “The colored light that now penetrated through the glass and mica stained-glass windows created a special, joyful mood, made the interior cozy, complemented the beauty of the brightly-patterned decoration of the room.” Continue reading

ART UNIONS AND CREATIVE UNIONS OF RUSSIA ON THE TURN OF THE XIX-XX CENTURIES (part 1)
Abramtsevsky (Mamontovsky) art circle - the so-called Representatives of the creative intelligentsia, mainly Moscow, united around the famous businessman and philanthropist S.I. Mamontov. Meetings and meetings of artists and art…

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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material.…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 2)
Incidentally, the generally accepted term "watercolor" was first used by Chennino Chennini in his Treatise on Painting (1437), the main point in the described process was the dissolution of paint…

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