MAIN DIRECTIONS
RUSSIAN Vanguard. MAIN DIRECTIONS (part 1)
The concept of avant-garde. And its differences from modernism. What is the difference between avant-garde and modernism? This issue is still controversial; There are several enduring traditions of understanding the…

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LENINGRAD SCHOOL OF PAINTING (part 4)
However, in 1928, after a series of publications in the journal Revolution and Culture, edited by N. I. Bukharin, supported by the section of literature and art of the Communist…

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HISTORY OF LANDSCAPE GENRE DEVELOPMENT (part 2)
Landscape motifs began to play a more important role during the High Renaissance. Many artists began to carefully study nature. Having abandoned the usual construction of spatial plans in the…

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manifested

WHAT IS ENAMEL?

Enamel is a glassy, ​​frozen mass of an oxide composition formed by partial or complete melting, sometimes with the addition of metals, deposited on a metal base.

Other materials and coatings that do not meet this definition, although they are applied to metal and used for the same purpose, should not be associated with the concepts of “enamel” or “enamel”. So, for example, enamel varnish is called a very shiny enamel paint, and enamelled wire is a copper wire coated with enamel insulating paint.

The term enamel the author refers to both the material, as a type of decorative art, and the entire technology of manufacturing art products decorated with enamel. Continue reading →

Posted in author refers, experience, manifested, opaque enamels, various colors
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RUSSIAN Vanguard. MAIN DIRECTIONS (part 2)
Russian avant-garde of his goals and aspirations. Like the trends of modernism that preceded it, the avant-garde was aimed at a radical transformation of human consciousness by means of art,…

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RUSSIAN ACADEMY OF ART OF ST. PETERSBURG (part 2)
Under Catherine II, in 1764, a new detailed Charter of the Imperial Academy of Arts was adopted, and the close sovereign Ivan Ivanovich Betskoy became president. The Empress wrote: "For…

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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist…

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