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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO
It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material. As a rule, it has not so impressive dimensions, is performed on an easel and is able to wander around exhibitions, museums, and the interiors of owners. Monumental painting is another matter. It is rigidly attached to the architectural surface, often has gigantic dimensions and the technology of execution has its own characteristics. There are many diverse techniques of monumental painting, but we intend to tell you only about three of them. This is a fresco, mosaic and stained glass. Continue reading
background
until
reproduction
absolutely
characteristic
performance
distinguished
photography
phenomenon
communal
contact
arrogance
festivals
sepia
snowflakes
technique
school
milestone
professional
traditions
different
members
community
period
density
Museum
institution
harmony
landscapes
documentary
workshop
various
development
artists
manufacture
resistant
province
again left
available
combination
landscape
modest
musician
finally
unshakable
canvas
ideological
minerals
returned
educational
composition
enthusiasm
student
movements
number
troubles
decorative
watercolors
subsequent
selection
transmitted
creation
soldiers
emergence
technologies
sixties




