traces of strokes
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
until
arrogance
transmitted
soldiers
technologies
available
contact
milestone
distinguished
educational
characteristic
modest
creation
selection
traditions
finally
reproduction
different
number
composition
communal
emergence
minerals
province
returned
again left
subsequent
absolutely
watercolors
sepia
ideological
troubles
institution
members
community
canvas
artists
various
background
documentary
manufacture
Museum
workshop
decorative
harmony
resistant
snowflakes
musician
festivals
density
sixties
performance
combination
school
photography
unshakable
landscape
phenomenon
student
movements
enthusiasm
professional
technique
landscapes
development
period