traces of strokes
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
community
ideological
performance
documentary
density
subsequent
enthusiasm
period
movements
musician
student
background
composition
harmony
technique
phenomenon
development
troubles
artists
creation
sepia
educational
various
modest
communal
contact
emergence
decorative
distinguished
selection
arrogance
technologies
Museum
finally
available
workshop
members
snowflakes
unshakable
transmitted
again left
sixties
canvas
manufacture
watercolors
absolutely
reproduction
number
minerals
different
characteristic
landscape
traditions
resistant
institution
photography
milestone
until
soldiers
returned
landscapes
combination
province
school
festivals
professional