traces of strokes
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
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watercolors
period
arrogance
subsequent
workshop
minerals
landscapes
finally
members
composition
educational
student
school
distinguished
manufacture
communal
musician
sepia
selection
performance
soldiers
decorative
unshakable
returned
until
province
transmitted
number
movements
creation
Museum
institution
density
ideological
again left
troubles
absolutely
various
resistant
sixties
festivals
photography
combination
harmony
phenomenon
milestone
traditions
documentary
artists
community
characteristic
different
canvas
technique
landscape
reproduction
contact
background
modest
snowflakes
technologies
development
enthusiasm
professional
emergence