traces of strokes
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
background
distinguished
watercolors
returned
professional
emergence
artists
decorative
soldiers
sepia
technologies
musician
available
traditions
period
phenomenon
sixties
creation
different
subsequent
modest
festivals
troubles
number
reproduction
technique
absolutely
movements
enthusiasm
various
manufacture
workshop
photography
combination
canvas
members
again left
transmitted
development
characteristic
minerals
landscapes
institution
Museum
school
student
unshakable
community
density
documentary
selection
contact
province
snowflakes
harmony
until
arrogance
resistant
landscape
educational
communal
composition
milestone
finally
performance
ideological