traces of strokes
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
different
professional
transmitted
modest
musician
reproduction
province
harmony
photography
snowflakes
workshop
phenomenon
milestone
creation
period
manufacture
until
subsequent
enthusiasm
composition
density
arrogance
minerals
landscape
members
documentary
Museum
educational
selection
watercolors
school
movements
contact
available
development
soldiers
community
background
canvas
unshakable
landscapes
technique
various
performance
number
festivals
troubles
traditions
finally
technologies
emergence
communal
resistant
decorative
ideological
institution
absolutely
sepia
combination
sixties
distinguished
student
again left
returned
artists
characteristic