traces of strokes
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
selection
unshakable
creation
characteristic
composition
contact
transmitted
institution
decorative
soldiers
absolutely
combination
phenomenon
resistant
manufacture
canvas
documentary
troubles
ideological
student
educational
artists
milestone
snowflakes
finally
density
arrogance
modest
period
background
harmony
sepia
returned
musician
technique
development
sixties
different
photography
technologies
community
watercolors
province
movements
number
Museum
various
until
festivals
distinguished
again left
traditions
subsequent
reproduction
emergence
landscape
workshop
communal
enthusiasm
professional
performance
minerals
landscapes
available
members
school