traces of strokes
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
documentary
contact
milestone
creation
technique
enthusiasm
combination
subsequent
decorative
school
number
Museum
again left
landscape
modest
educational
ideological
movements
soldiers
returned
different
canvas
composition
background
absolutely
institution
manufacture
photography
various
period
until
artists
emergence
musician
density
harmony
sixties
workshop
snowflakes
unshakable
traditions
community
performance
arrogance
distinguished
phenomenon
characteristic
development
professional
finally
communal
landscapes
transmitted
technologies
available
province
student
sepia
watercolors
reproduction
selection
members
festivals
troubles
resistant
minerals