demagogues
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
transmitted
artists
documentary
different
resistant
background
musician
technique
soldiers
ideological
landscapes
landscape
unshakable
emergence
various
available
returned
professional
snowflakes
technologies
sepia
decorative
enthusiasm
province
performance
period
distinguished
until
community
photography
sixties
Museum
canvas
minerals
members
number
traditions
institution
finally
manufacture
density
communal
educational
school
creation
watercolors
troubles
modest
subsequent
absolutely
composition
harmony
movements
selection
festivals
milestone
phenomenon
combination
reproduction
development
arrogance
again left
workshop
characteristic
contact
student