appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
subsequent
available
sepia
watercolors
until
professional
number
minerals
communal
performance
canvas
decorative
soldiers
musician
different
distinguished
milestone
again left
density
phenomenon
composition
festivals
workshop
landscapes
province
technologies
harmony
resistant
movements
documentary
Museum
manufacture
community
troubles
enthusiasm
student
transmitted
technique
selection
period
educational
sixties
absolutely
artists
photography
emergence
reproduction
arrogance
background
school
various
institution
combination
unshakable
ideological
characteristic
members
development
modest
landscape
finally
snowflakes
creation
returned
traditions
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