appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
photography
traditions
transmitted
members
until
sepia
creation
composition
province
landscapes
development
phenomenon
subsequent
canvas
finally
background
modest
artists
school
communal
minerals
again left
technique
decorative
reproduction
performance
contact
period
professional
harmony
milestone
manufacture
musician
resistant
available
festivals
density
landscape
unshakable
selection
documentary
characteristic
community
absolutely
different
snowflakes
distinguished
Museum
number
combination
ideological
watercolors
technologies
returned
emergence
various
student
arrogance
troubles
institution
sixties
workshop
soldiers
educational
enthusiasm
movements




