appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
density
available
composition
decorative
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manufacture
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until
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student
festivals
landscapes
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combination
artists
province
movements
distinguished
sixties
traditions
troubles
background
period
Museum
technique
number
landscape
subsequent
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sepia
harmony
community
contact
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communal
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workshop
characteristic
watercolors
institution
unshakable
creation
selection
school
absolutely
resistant
educational
emergence
minerals
technologies
again left
documentary
members




