appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
traditions
educational
members
manufacture
various
decorative
province
institution
number
emergence
student
canvas
movements
density
landscapes
Museum
creation
enthusiasm
sixties
school
workshop
arrogance
performance
combination
composition
selection
harmony
musician
technologies
landscape
phenomenon
resistant
watercolors
photography
different
minerals
returned
festivals
subsequent
background
absolutely
professional
contact
reproduction
soldiers
period
development
unshakable
transmitted
communal
artists
finally
available
modest
community
documentary
distinguished
milestone
troubles
technique
snowflakes
until
again left
ideological
sepia
characteristic




