appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
workshop
minerals
ideological
sixties
school
phenomenon
watercolors
transmitted
community
characteristic
members
combination
returned
musician
enthusiasm
landscape
performance
period
density
manufacture
decorative
absolutely
student
available
soldiers
Museum
composition
festivals
province
snowflakes
milestone
technique
educational
landscapes
finally
emergence
harmony
reproduction
communal
technologies
canvas
photography
various
development
number
background
movements
selection
again left
until
modest
professional
contact
troubles
different
institution
arrogance
artists
documentary
distinguished
unshakable
traditions
resistant
sepia
creation
subsequent