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LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
community
landscapes
communal
period
phenomenon
canvas
number
until
different
combination
returned
characteristic
various
performance
manufacture
emergence
transmitted
minerals
artists
creation
decorative
documentary
arrogance
institution
background
province
watercolors
technique
available
enthusiasm
photography
distinguished
composition
musician
workshop
student
development
selection
movements
harmony
members
modest
again left
finally
reproduction
density
educational
subsequent
contact
sixties
technologies
festivals
snowflakes
troubles
resistant
professional
absolutely
milestone
unshakable
traditions
ideological
Museum
landscape
sepia
school
soldiers



