appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
distinguished
number
movements
various
enthusiasm
absolutely
modest
finally
Museum
institution
available
transmitted
decorative
period
sixties
traditions
photography
snowflakes
reproduction
musician
returned
sepia
resistant
characteristic
subsequent
different
technologies
student
community
performance
landscape
watercolors
educational
manufacture
background
documentary
communal
members
minerals
development
soldiers
phenomenon
professional
province
again left
combination
technique
selection
emergence
composition
arrogance
ideological
artists
until
festivals
harmony
landscapes
troubles
workshop
school
milestone
unshakable
contact
canvas
creation
density