appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
troubles
photography
unshakable
returned
technique
enthusiasm
selection
arrogance
snowflakes
landscapes
characteristic
sepia
professional
again left
landscape
modest
subsequent
performance
different
minerals
harmony
workshop
composition
sixties
combination
institution
creation
resistant
traditions
Museum
available
density
movements
transmitted
absolutely
number
period
until
background
artists
communal
musician
educational
members
development
festivals
province
documentary
contact
community
phenomenon
school
reproduction
technologies
ideological
canvas
emergence
student
decorative
milestone
soldiers
various
finally
manufacture
distinguished
watercolors




