appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
soldiers
background
sepia
modest
unshakable
density
musician
workshop
phenomenon
performance
characteristic
canvas
ideological
technologies
institution
minerals
period
different
resistant
creation
again left
until
watercolors
landscape
technique
troubles
enthusiasm
Museum
manufacture
milestone
school
contact
subsequent
harmony
communal
reproduction
returned
members
development
various
finally
student
composition
photography
selection
snowflakes
decorative
professional
festivals
artists
transmitted
landscapes
movements
combination
sixties
educational
absolutely
province
documentary
available
traditions
distinguished
emergence
number
community
arrogance