appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
student
contact
characteristic
performance
harmony
background
emergence
professional
watercolors
phenomenon
technologies
technique
landscape
ideological
combination
movements
educational
snowflakes
community
arrogance
milestone
documentary
troubles
province
landscapes
until
canvas
composition
selection
various
again left
finally
sixties
distinguished
development
different
school
subsequent
institution
number
decorative
sepia
festivals
members
reproduction
resistant
minerals
absolutely
density
creation
manufacture
enthusiasm
workshop
modest
transmitted
communal
traditions
period
musician
soldiers
available
Museum
unshakable
photography
returned
artists




