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LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
landscapes
absolutely
soldiers
school
modest
documentary
student
educational
different
movements
sepia
again left
snowflakes
returned
institution
technique
canvas
sixties
community
transmitted
selection
resistant
communal
minerals
musician
various
troubles
characteristic
creation
members
arrogance
watercolors
subsequent
available
reproduction
period
performance
development
milestone
finally
professional
artists
until
province
harmony
landscape
combination
phenomenon
festivals
contact
distinguished
number
composition
emergence
enthusiasm
technologies
unshakable
Museum
ideological
decorative
density
workshop
background
photography
manufacture
traditions




