appointed
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
resistant
photography
sixties
landscapes
development
movements
members
creation
combination
snowflakes
canvas
festivals
unshakable
phenomenon
minerals
workshop
traditions
soldiers
landscape
harmony
reproduction
number
transmitted
educational
ideological
modest
professional
background
community
until
again left
absolutely
selection
available
Museum
artists
milestone
decorative
distinguished
watercolors
different
subsequent
musician
returned
performance
sepia
province
contact
emergence
finally
institution
composition
communal
density
troubles
manufacture
various
enthusiasm
technologies
school
technique
student
period
characteristic
documentary
arrogance




