PRINT. CLASSIFICATION AND VARIETIES (part 2)
Lavis (from Fr. lavis - wash) - a kind of aquatint. Known since the 1780s. The drawing is applied by needle etching. The tonality is obtained by etching with acid,…

Continue reading →

LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to "left" art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge…

Continue reading →

HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 1)
When sunlight penetrates through the high openings of windows, stained glass paintings, stained glass patterns seem to flash, light up in bright color, begin to glow, transforming the interior, filling…

Continue reading →

engraving board

EXCURSION TO THE WORLD OF GRAPHICS

Graphics is the art of drawing. A graphic image, as a rule, consists of lines, strokes, dots, etc. By its nature, a graphic image is more conventional than a pictorial one, although the graphic and expressive means of graphics are much the same as in painting. Unlike painting, the color in the graphic is predominantly one (usually black), but there is a graphic that also uses a different color. The graphic also uses stained drawing – a pictorial tool widely used, for example, in the graphic sheets of Mesereel and the Prophet.
Graphic artists can create not only separate sheets, but also entire series of drawings, united by a common theme. Without resorting to the help of color, graphics – art unusually laconic with its avaricious means can and does give pictures of life no less significant in terms of ideology and aesthetics than painting. Continue reading

ABOUT AQUARIAN PAINTING TECHNIQUE (part 3)
The foregoing applies to any kind of art, but it is watercolor that is particularly susceptible to temperament and the “movement of the brush” emanating from the movement of the…

...

LENINGRAD SCHOOL OF PAINTING (part 4)
However, in 1928, after a series of publications in the journal Revolution and Culture, edited by N. I. Bukharin, supported by the section of literature and art of the Communist…

...

HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not…

...