HISTORY OF THE ORIGIN AND DEVELOPMENT OF STAINED-GLASS ART (part 2)
Let us imagine for a moment the decoration of these choirs: painted walls and ceilings, glazed tiled stoves, patterned carpets and carved shutters ... In the interiors of rich chambers,…

Continue reading →

VITEBSK ART SCHOOL (part 3)
The circle of sources covering this time in the biography of the master is mainly identified and studied, therefore all sorts of new information and facts are so rare and…

Continue reading →

HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not…

Continue reading →

subframe

EXCURSION TO THE WORLD OF BATIKA

Batik – batik is an Indonesian word. Translated from Indonesian, the word “va” means cotton fabric, and “-tik” means “dot” or “drop”. Ambatik – draw, drop, hatch. The batik technique is based on the fact that paraffin, rubber glue, as well as some other resins and varnishes, when applied to the fabric, do not let the paint through them – or, as the artists say, “reserve” certain areas of the fabric from painting.

There are several types of batik – hot, cold, free painting. They differ in the way they reserve fabric. Wax is used as a reserve in hot batik. Wax is applied using a special tool called chanting. Waxed areas do not absorb paint and also limit its spread. Hot batik is called hot because wax is used in a “hot” molten form. This method is mainly used for applying a color image to a cotton fabric. Continue reading

VITEBSK ART SCHOOL (part 2)
Having learned the lessons of new European art and declaring himself to be a rapidly maturing master, M. Chagall returned to Vitebsk on the eve of the First World War.…

...

EXCURSION TO THE WORLD OF GRAPHICS
Graphics is the art of drawing. A graphic image, as a rule, consists of lines, strokes, dots, etc. By its nature, a graphic image is more conventional than a pictorial…

...

ART UNIONS AND CREATIVE UNIONS OF RUSSIA ON THE TURN OF THE XIX-XX CENTURIES (part 1)
Abramtsevsky (Mamontovsky) art circle - the so-called Representatives of the creative intelligentsia, mainly Moscow, united around the famous businessman and philanthropist S.I. Mamontov. Meetings and meetings of artists and art…

...