steel materials
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
technique
communal
emergence
workshop
musician
watercolors
sepia
traditions
selection
artists
characteristic
number
landscape
institution
snowflakes
manufacture
minerals
development
again left
troubles
harmony
community
soldiers
educational
movements
various
background
subsequent
photography
until
performance
combination
modest
unshakable
contact
landscapes
canvas
decorative
festivals
milestone
returned
student
school
different
transmitted
density
ideological
finally
reproduction
absolutely
creation
arrogance
available
province
professional
composition
technologies
period
sixties
documentary
enthusiasm
phenomenon
Museum
members
resistant
distinguished