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HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
composition
members
traditions
soldiers
creation
educational
community
unshakable
watercolors
landscape
characteristic
transmitted
canvas
workshop
phenomenon
sixties
institution
density
performance
reproduction
background
sepia
musician
development
technique
school
again left
decorative
documentary
province
communal
finally
movements
combination
harmony
ideological
absolutely
milestone
manufacture
festivals
modest
distinguished
minerals
selection
professional
various
enthusiasm
snowflakes
artists
arrogance
number
technologies
troubles
available
resistant
emergence
student
period
landscapes
different
returned
Museum
subsequent
photography
until
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