steel materials
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not found in Russian documents, and they wrote about this nature of work in annals, charters, and decrees: “a wall letter in raw gesso.” The term “wall writing” meant all paintings on architectural surfaces made using any technique, whether it was painted on raw gesso, on an emulsion binder or adhesive.
The mural was widespread in past eras. It is assumed that she was known in Ancient Greece, she wrote in ancient Rome, Byzantium, in Russia X-XII centuries. Numerous murals are made in medieval Europe.
Significant and outstanding works are created in this technique. Continue reading
workshop
until
emergence
transmitted
sepia
watercolors
absolutely
combination
troubles
soldiers
Museum
performance
technologies
musician
development
documentary
arrogance
subsequent
landscapes
landscape
members
canvas
sixties
decorative
unshakable
again left
traditions
province
harmony
returned
ideological
distinguished
snowflakes
movements
professional
photography
number
finally
technique
institution
various
available
artists
different
density
creation
minerals
resistant
modest
contact
educational
period
school
characteristic
phenomenon
communal
reproduction
background
milestone
manufacture
student
composition
selection
community
festivals
enthusiasm