OIL ART PAINTS (part 2)
You probably noticed that the colors on the palette soon stop getting dirty, but if you slightly press on them with your finger, you can make sure that they are…

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ART UNIONS AND CREATIVE UNIONS OF RUSSIA ON THE TURN OF THE XIX-XX CENTURIES (part 1)
Abramtsevsky (Mamontovsky) art circle - the so-called Representatives of the creative intelligentsia, mainly Moscow, united around the famous businessman and philanthropist S.I. Mamontov. Meetings and meetings of artists and art…

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EXCURSION TO THE WORLD OF BATIKA
Batik - batik is an Indonesian word. Translated from Indonesian, the word “va” means cotton fabric, and “-tik” means “dot” or “drop”. Ambatik - draw, drop, hatch. The batik technique…

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sections

PRINT. CLASSIFICATION AND VARIETIES (part 1)

An engraving (from French estampe) is a generalized name for works of printed graphics, which is an engraving or any other print on paper from a printing form.
There are four types of prints: high (convex) printing, flat printing, intaglio printing and screen printing. Convex printing includes woodcut, linocut and cardboard engraving. For flat printing – lithography with all its varieties and monotype. Intaglio printing: etching, engraving, mezzo-tinto, dotted line, dry needle, aquatint, reserve, lavis, soft varnish, pencil style. Screen printing – silk screen printing.
Let us consider in more detail the main print techniques in chronological order. Continue reading

OIL ART PAINTS (part 1)
Artistic paints consist of colored powder - a pigment and a binder that holds together the smallest particles. In painting, mainly inorganic coloring materials are used, as more persistent, less…

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OIL ART PAINTS (part 1)
Artistic paints consist of colored powder - a pigment and a binder that holds together the smallest particles. In painting, mainly inorganic coloring materials are used, as more persistent, less…

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ABOUT AQUARIAN PAINTING TECHNIQUE (part 3)
The foregoing applies to any kind of art, but it is watercolor that is particularly susceptible to temperament and the “movement of the brush” emanating from the movement of the…

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