career
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
development
harmony
period
selection
resistant
snowflakes
combination
Museum
available
province
absolutely
subsequent
until
density
photography
finally
contact
movements
sixties
creation
watercolors
modest
school
decorative
student
minerals
professional
documentary
number
again left
performance
traditions
different
technologies
reproduction
characteristic
background
unshakable
composition
milestone
emergence
soldiers
educational
sepia
members
manufacture
arrogance
communal
phenomenon
troubles
canvas
community
ideological
enthusiasm
festivals
transmitted
musician
landscape
institution
workshop
artists
returned
technique
distinguished
landscapes
various