career
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
educational
background
transmitted
manufacture
province
characteristic
period
professional
reproduction
snowflakes
performance
photography
again left
distinguished
watercolors
documentary
combination
sixties
modest
phenomenon
milestone
resistant
available
festivals
musician
technique
subsequent
harmony
canvas
landscapes
ideological
community
various
creation
student
selection
school
enthusiasm
soldiers
institution
returned
contact
traditions
technologies
landscape
different
workshop
decorative
development
absolutely
Museum
composition
emergence
sepia
finally
minerals
arrogance
number
members
density
unshakable
until
troubles
artists
movements
communal