career
LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to “left” art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge of art issues in the center and in the localities?
Among the supporters of the “left” views, the artists D.P. Sternberg, A.D. Drevin, V.E. Tatlin, V.V. Kandinsky, K.S. Malevich, O.V. Rozanova, M.V. Matyushin, stood out N.I. Altman and others. They formed a rather strong group, which initially determined the artistic policy of the Department of Fine Arts created under the People’s Commissariat for Education, as well as the Moscow and Petrograd Soviets. Continue reading
various
sixties
ideological
communal
resistant
festivals
documentary
emergence
creation
educational
workshop
sepia
photography
members
decorative
finally
unshakable
density
community
performance
development
subsequent
period
combination
modest
composition
manufacture
professional
distinguished
selection
characteristic
traditions
again left
background
canvas
landscape
arrogance
movements
watercolors
number
province
absolutely
musician
enthusiasm
transmitted
different
until
phenomenon
contact
reproduction
student
returned
institution
Museum
soldiers
milestone
school
landscapes
technique
harmony
artists
technologies
troubles
available
snowflakes
minerals