PRINT. CLASSIFICATION AND VARIETIES (part 2)
Lavis (from Fr. lavis - wash) - a kind of aquatint. Known since the 1780s. The drawing is applied by needle etching. The tonality is obtained by etching with acid,…

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VLADIMIR SCHOOL SCHOOL SCHOOL (part 2)
By the 1970s, the recognizable style of painting, common to all representatives of the Vladimir school, was finally formed. The landscape space in them, as a rule, is reduced to…

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RUSSIAN ACADEMY OF ART OF ST. PETERSBURG (part 1)
In 2007, the Russian Academy of Arts celebrates its 250th anniversary. November 17, 1757 (old style - November 6) - The governing Senate of the Russian Empire adopted a decree…

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recreated

MASTERPIECES OF PASTEL FROM FUNDS OF THE TREYAKOV GALLERY (part 2)

In Russia, pastel technique appeared in the second half of the XVIII century, but never reached such popularity as in Europe. The first pastors known to us were invited foreign masters – G.-F. Schmidt, V. Eriksen, Gagelgans, I.-G. Schmidt, I. Bardou and their younger contemporary K. Bardou. Many of them were portrait painters. Their works are executed at a good professional level, in the tradition of cabinet portraiture. They are characterized by a picturesque solution, they carefully wrote out individual features, finely modeled faces, powdered wigs, carefully detailed clothing, thin foam of lace, the mysterious sparkle of orders, the gentle shimmer of tones typical of pastels. In these small, often paired, family portraits that once adorned the walls of Russian noble nests, live human faces, famous and unknown, appear in front of the viewer – people who have gone down in history but have not sunk into oblivion, thanks to artists who have preserved their appearance for posterity. Continue reading

HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 2)
The term “fresco” came to Russia from Italy no earlier than the 18th century. This can be judged by the fact that even in the XVI-XVII centuries it was not…

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EXCURSION TO THE WORLD OF PAINTING (part 2)
By depicting reality on a two-dimensional plane, painting creates the illusion of three-dimensionality and volume: people and objects appear to be at different distances from the viewer — some closer,…

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RUSSIAN Vanguard. MAIN DIRECTIONS (part 3)
Abstractionism (abstract art). The main theorists and practitioners were V. Kandinsky, P. Mondrian. Abstractionism rejected the image of forms of visually perceived reality, from isomorphism and focused solely on the…

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TALKS ON THE ISLANDS OF ART (part 3)
The desire for a new one, by all means, was imposed on art at the beginning of the 20th century. In canonical arts, in Russian iconography, for example, the artist…

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