MAIN DIRECTIONS
HISTORY OF THE ORIGIN AND DEVELOPMENT OF MONUMENTAL PAINTING (part 1)
FRESCO It is customary to divide the painting into easel and monumental. To easel painting is one that is made with oil paints on canvas, cardboard or other solid material.…

Continue reading →

<a href="http://thisismyurl.com/downloads/easy-random-posts/" title="Easy Random Posts">Easy Random Posts</a>
TALKS ON THE ISLANDS OF ART (part 2)
02/13/2011 Jrn Calo: Dear Tatyana! First of all, I must tell you that I like to think and manage the reading public. We live in an era of image, when…

Continue reading →

VITEBSK ART SCHOOL (part 1)
Nikolay Gugnin. From the history of the Vitebsk art school. In the late 1910s, the paths of many famous artists of the 20th century converged in the provincial city of…

Continue reading →

Not Found

Apologies, but the page you requested could not be found. Perhaps searching will help.

Tag Cloud

absolutely again left antagonisms apotheosis appointed arrogance artists associations available background bamboo battle black boiler bone bourgeois brightness burnt butterflies cadmium calcination canvas career catchiness centuries century changed characteristic chiaroscuro chromium civilizational clarity cloisonne cobalts coincidence color combination communal community composition concrete contact content continue contours contradictions contradictory created creation cultural customary debates decisive decorative demagogues density designation development different direction director distinguished diverse documentary dozens education educational Egyptian emergence enthusiasm environment equated eruption established exhibitions exhibitors existence export fabulously famous festivals finally flapping foundation fresco functions generalized genre graduates grape group harmony historical history houses ideological illumination important incorporation individual initiative institution intrigue jewelry landscape landscapes layers majolica manifestation is one manufacture manufacturing masters mastery meadows meaningless meantime members method Metropolitan milestone minerals mismanagement modest moments motherland movements Museum musician nature number observations occupation otherwise paintings peach peasant performance performer performing period phenomenon photography picturesque pigment pigments plans portrait practice primordial professional province Raphael realizing recreated relationship reproduction resistant returned revolution Rubens school secrets selection sepia seventeenth simultaneously sixties sketch smalt snowflakes soldiers standards steel materials student subframe subsequent technique techniques technological technologies tempera textiles thickness time traces of strokes traditions transmitted trends troubles trunks turquoise unshakable unthinkable until various watercolors white whitewash windows workshop
<a href="http://thisismyurl.com/downloads/easy-random-posts/" title="Easy Random Posts">Easy Random Posts</a>
ART UNIONS AND CREATIVE UNIONS OF RUSSIA ON THE TURN OF THE XIX-XX CENTURIES (part 1)
Abramtsevsky (Mamontovsky) art circle - the so-called Representatives of the creative intelligentsia, mainly Moscow, united around the famous businessman and philanthropist S.I. Mamontov. Meetings and meetings of artists and art…

...

ABOUT AQUARIAN PAINTING TECHNIQUE (part 3)
The foregoing applies to any kind of art, but it is watercolor that is particularly susceptible to temperament and the “movement of the brush” emanating from the movement of the…

...

EXCURSION TO THE WORLD OF PAINTING (part 1)
Painting, according to the apt remark of the artist K. Yuon, is “a living letter or a letter about the living”. At first glance, this may seem paradoxical: after all,…

...